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Poems 1918-1936: Volume 1 of The Complete Poems of Charles Reznikoff by Charles Reznikoff. Santa Barbara. 1976. Black Sparrow Press. Edited by Seamus Cooney. 227 pages. hardcover. 0876852622

 

FROM THE PUBLISHER -

 

0876852622   A scarce work from Reznikoff, who died while the project was at press, but had already signed the colophon pages of this edition. Reznikoff’s first book of poetry, Rhythms, was privately published in 1918. He took a series of writing and editing jobs to support himself, working on the editorial staffs of the American Law Book Company and, beginning in 1955, the Jewish Frontier. In 1930, Reznikoff married Marie Syrkin, who later became a distinguished professor at Brandeis University. Throughout the 1930s, Reznikoff gained recognition as one of the principal proponents of Objectivism, along with Louis Zukofsky, George Oppen, and Carl Rakosi. The group of poets established the Objectivist Press, which published three of Reznikoff’s books. His work enjoyed little commercial success, however, and much of it continued to be self-published. The most comprehensive edition of Reznikoff’s work is Poems 1918-1975: The Complete Poems of Charles Reznikoff (Black Sparrow Press, 1989). His other books of poetry include Holocaust (1975) and Testimony (1965), which are his most celebrated works, as well as Going To and Fro and Walking Up and Down (1941), Jerusalem the Golden (1934), Poems (1920), and Rhythms (1918). He also published several prose works and a number of plays. After his death, a novel entitled The Manner Music was discovered by his patron, John Martin, and published posthumously in 1976, with an introduction by Robert Creeley. Apart from his foray in the south and a year spent as a Hollywood screenwriter in the 1930s, Reznikoff was a lifelong resident of New York City. He died on January 22, 1976.

 

  Charles Reznikoff (August 31, 1894 – January 22, 1976) was an American poet known for his long work, Testimony: The United States (1885-1915), Recitative (1934-1979). The term Objectivist was first coined for him. The two-volume Testimony was based on court records and explored the black experience in the United States. He followed this with Holocaust (1975), based on court testimony about Nazi death camps during World War II. When Louis Zukofsky was asked by Harriet Monroe to provide an introduction to what became known as the Objectivist issue of Poetry, he contributed his essay, Sincerity and Objectification: With Special Reference to the Work of Charles Reznikoff. This established the name of the loose-knit group of 2nd generation modernist poets and the two characteristics of their poetry: sincerity and objectification.

 

 

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