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several perceptionsSeveral Perceptions by Angela Carter. New York. 1968. Simon & Schuster. 154 pages. Jacket design by Paul Davis.

FROM THE PUBLISHER -

     Center stage in Angela Carter’s unruly tale of the Flower Power Generation is Joseph - a decadent, disorientated rebel without a cause. A self-styled nihilist whose girlfriend has abandoned him, Joseph has decided to give up existing. But his concerned friends and neighbours have other plans. In an effort to join in the spirit of protest which motivates his contemporaries, Joseph frees a badger from the local zoo; sends a turd airmail to the President of the United States; falls in love with the mother of his best friend; and, accompanied by the strains of an old man’s violin, celebrates Christmas Eve in a bewildering state of sexual discovery. But has he found the Meaning of Life?

 

 

 

 

 

 

 

Carter Angela Angela Carter (7 May 1940 – 16 February 1992) was an English novelist and journalist, known for her feminist, magical realism, picaresque and science fiction works. In 2008, The Times ranked Carter tenth, in their list of ‘The 50 greatest British writers since 1945’ Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature. She married twice, first in 1960 to Paul Carter. They divorced after twelve years. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in NOTHING SACRED (1982) that she ‘learnt what it is to be a woman and became radicalised.’ She wrote about her experiences there in articles for New Society and a collection of short stories, FIREWORKS: NINE PROFANE PIECES (1974), and evidence of her experiences in Japan can also be seen in THE INFERNAL DESIRE MACHINES OF DOCTOR HOFFMAN (1972). She then explored the United States, Asia and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son. As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in SHAKING A LEG. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and THE MAGIC TOYSHOP (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Woolf's Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jackson's Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts' book, Anagrams of Desire (2003). Her novel NIGHTS AT THE CIRCUS won the 1984 James Tait Black Memorial Prize for literature. At the time of her death, Carter was embarking on a sequel to Charlotte Brontë's Jane Eyre based on the later life of Jane's stepdaughter, Adèle Varens. However, only a synopsis survives. Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer.

 

 

 

 


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