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The Lizard's Tale by Jose Donoso. Evanston. 2011. Northwestern University Press. 205 pages. hardcover. 9780810127029. Jacket design by Marianne Jankowski. Translated from the Spanish by Suzanne Jill Levine. Edited by Julio Ortega. 

 

9780810127029FROM THE PUBLISHER -

   Winner of 2012 PEN Center USA Literary Award for Translation. José Donoso was the leading Chilean representative of the Latin American ‘Boom’ of the sixties and seventies that included Gabriel García Márquez, Mario Vargas Llosa, and Manuel Puig, among others. Written as a draft in 1973, set aside, and forgotten, The Lizard’s Tale was discovered among Donoso’s papers at Princeton University by his daughter after his death. Edited for publication by critic and poet Julio Ortega, it was published posthumously in Spanish under the title Lagartija sin cola in 2007. Suzanne Jill Levine, who knew Donoso and translated two of his earlier works, brings the book to an English-language audience for the first time. Defeated and hiding in his Barcelona apartment, painter Antonio Muñoz-Roa—clearly Donoso’s alter ego—relates the story of his flight with Luisa, his cousin, lover, and benefactor, after his scandalous desertion from the ‘Informalist’ movement (a witty reference to a contemporary Spanish art movement and possibly an allusion to the Boom as well), in which he had been a member of a certain standing. Frustrated, old, and alone, the artist looks back on his years in the small town of Dors, a place he unsuccessfully tried to rescue from the crushing advance of modernity, and on the decline of his own family, also threatened by the changing times. In Levine’s able hands, Donoso’s clear prose shines through, forming a compact, powerful, and still-relevant meditation on the commercialization of art and the very places we inhabit.

 

 

Donoso JoseJosé Donoso Yáñez (October 5, 1924–December 7, 1996) was a Chilean writer. He lived most of his life in Chile, although he spent many years in self-imposed exile in Mexico, the United States (Iowa) and mainly Spain. Although he had left his country in the sixties for personal reasons, after 1973 he said his exile was also a form of protest against the dictatorship of Augusto Pinochet. He returned to Chile in 1981 and lived there until his death. Donoso is the author of a number of remarkable stories and novels, which contributed greatly to the Latin American literary boom. The term 'Boom' was coined in his 1972 essay Historia personal del ‘boom’. His best known works include the novels Coronación, El lugar sin límites (The Place Without Limits) and El obsceno pájaro de la noche (The Obscene Bird of Night). His works deal with a number of themes, including sexuality, the duplicity of identity, psychology, and a sense of dark humor. After his death, his personal papers at the University of Iowa revealed his homosexuality; a revelation that caused a certain controversy in Chile.

 

 

 

 

 

 

 

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Reading Basquiat: Exploring Ambivalence in American Art by Jordana Moore Saggese. Berkeley. 2014. University of California Press. 222 pages. hardcover. 9780520276246. Cover design by Sandy Drooker. 

 

 

9780520276246FROM THE PUBLISHER -

   Before his death at the age of twenty-seven, Jean-Michel Basquiat completed nearly 2,000 works. These unique compositions-collages of text and gestural painting across a variety of media-quickly made Basquiat one of the most important and widely known artists of the 1980s. Reading Basquiat provides a new approach to understanding the range and impact of this artist's practice, as well as its complex relationship to several key artistic and ideological debates of the late twentieth century, including the instability of identity, the role of appropriation, and the boundaries of expressionism. Jordana Moore Saggese argues that Basquiat, once known as ?the black Picasso,' probes not only the boundaries of blackness but also the boundaries of American art. Weaving together the artist's interests in painting, writing, and music, this groundbreaking book expands the parameters of aesthetic discourse to consider the parallels Basquiat found among these disciplines in his exploration of the production of meaning. Most important, Reading Basquiat traces the ways in which Basquiat constructed large parts of his identity-as a black man, as a musician, as a painter, and as a writer-via the manipulation of texts in his own library. 'A brilliant book and a great read. At long last, a deeply researched text on Basquiat's project.' -Jonathan Fineberg, University of Illinois at Urbana-Champaign. 'Challenging prevailing assumptions about the work of Jean-Michel Basquiat, Saggese argues that Basquiat's practice was as much conceptual as expressive. Reading Basquiat turns the focus from the artist's lifestyle to his work and the ways in which his approach to appropriation and Saggese Jordana Mooreimprovisation addressed the artistic discourse of the 1980s. With this book, Saggese changes the conversation about Basquiat and African Americans' participation in contemporary art.' -John P. Bowles, University of North Carolina at Chapel Hill.

 

 

Jordana Moore Saggese is Assistant Professor of Contemporary Art in the Visual Studies Program at California College of the Arts.

 

 

 

 

 

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Why We Make Things and Why It Matters: The Education of a Craftsman by Peter Korn. Boston. 2014. David R. Godine. 181 pages. hardcover. 9781567925111. 

 

 

9781567925111FROM THE PUBLISHER -

 

 

   The good life that society prescribes -- the untrammeled pursuit of wealth and fame, leisure and consumption -- often leaves some essential part of us malnourished. We may be capable, competent individuals yet find ourselves starved for avenues of engagement that provide more satisfying sustenance. Furniture making, practiced as a craft in the twenty-first century, is a decidedly marginal occupation. Yet the view from the periphery can be illuminating. For woodworker Peter Korn, the challenging work of bringing something new and meaningful into the world through one's own volition -- whether in the arts, the kitchen, or the marketplace -- is exactly what generates the authenticity, meaning, and fulfillment for which many of us yearn. In this moving account, Korn explores the nature and rewards of creative practice. We follow his search for meaning as an Ivy-educated child of the middle class who finds employment as a novice carpenter on Nantucket, transitions to self-employment as a designer/maker of fine furniture, takes a turn at teaching and administration at Colorado's Anderson Ranch Arts Center, and finally founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected, non-profit institution. This is not a 'how-to' book in any sense. Korn wants to get at the why of craft in particular, and the satisfactions of creative work in general, to understand their essential nature. How does the making of objects shape our identities? How do the products of creative work inform society? In short, what does the process of making things reveal to us about ourselves? Korn draws on four decades of hands-on experience to answer these questions eloquently, and often poignantly, in this personal, introspective, and revealing book. 'Peter Korn writes that his work as a furniture-maker tries to accomplish three goals: integrity, simplicity, and grace. Fortunately, these qualities are also what distinguish his writing. In this book, he gives the reader an almost tangible sense of what it takes to be a creative craftsman, a homo faber, a maker of things, which is one of the central elements of the human condition. But he does much more than that: he explores what the search for self and for belonging entails in our rapidly changing times.' --Mihaly Csikszentmihalyi. 'Peter Korn's brilliant new book resonates with me as a visual artist in a profound way. I share his passion for craft and admire his ability to take a plank of wood and fashion anything he sets his mind to. Throughout the centuries, furniture makers and painters have shared a set of belief systems centered on craft. The pleasure and calm that I get as a painter fashioning a complicated work from colored dirt on canvas is, I believe,Korn Peter the same pleasure and peace that Peter Korn and his students get as craftsmen.' --Chuck Close.

 

 

Peter Korn is the founder and Executive Director of the Centre for Furniture Craftmanship, a woodworking and design school in Rockport, Maine. A furniture maker since 1974, his work has been exhibited in galleries and museums across the United States. In addition to writing Why We Make Things and Why It Matters: The Education of a Craftsman, which won the 2014 Maine Literary Award, Korn is the author of several how-to books. These include the bestselling Woodworking Basics: Mastering the Essentials of Craftsmanship and The Woodworker's Guide to Hand Tools.

 

 

 

 

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2666 by Roberto Bolaño. New York. 2008. Farrar Straus Giroux. 898 pages. hardcover. 9780374100148. Jacket art - Gustave Moreau, 'Jupiter and Semele', oil on canvas. Jacket design by Charlotte Strick. Translated from the Spanish by Natasha Wimmer. 

 

9780374100148FROM THE PUBLISHER -

 

 

   Composed in the last years of Roberto Bolaño’s life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an 9780374531553elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of Santa Teresa - a fictional Juárez - on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.

 

 

 

 

 

 

 

 

 

 

 

Bolaño Roberto   Author of 2666 and many other acclaimed works, Roberto Bolaño (1953-2003) was born in Santiago, Chile, and later lived in Mexico, Paris, and Spain. He has been acclaimed ‘by far the most exciting writer to come from south of the Rio Grande in a long time’ (Ilan Stavans, The Los Angeles Times),’ and as ‘the real thing and the rarest’ (Susan Sontag). Among his many prizes are the extremely prestigious Herralde de Novela Award and the Premio Rómulo Gallegos. He was widely considered to be the greatest Latin American writer of his generation. He wrote nine novels, two story collections, and five books of poetry, before dying in July 2003 at the age of 50.

 

 

 

 

 

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The Bat: The First Harry Hole Thriller by Jo Nesbø. London. 2012. Harvill Secker. 374 pages. paperback. 9781846556005. Translated from the Norwegian by Don Bartlett.

 

9781846556005FROM THE PUBLISHER -

 

 

   The first Inspector Harry Hole novel. Inspector Harry Hole of the Oslo Crime Squad is dispatched to Sydney to observe a murder case. Harry is free to offer assistance, but he has firm instructions to stay out of trouble. The victim is a twenty-three year old Norwegian woman who is a minor celebrity back home. Never one to sit on the sidelines, Harry befriends one of the lead detectives, and one of the witnesses, as he is drawn deeper into the case. Together, they discover that this is only the latest in a string of unsolved murders, and the pattern points toward a psychopath working his way across the country. As they circle closer and closer to the killer, Harry begins to fear that no one is safe, least of all those investigating the case.

 

 

Nesbø JoJo Nesbø’s books, translated into forty-seven languages, have sold more than fifteen million copies worldwide. His previous Harry Hole novels include THE REDBREAST, NEMESIS, THE DEVIL’S STAR THE SNOWMAN, and THE LEOPARD, and he is the author of HEADHUNTERS and several children’s books. He has received the Glass Key Award for best Nordic crime novel. He is also a musician, songwriter, and economist and lives in Oslo.

 

 

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Tiny Game Hunting: Environmentally Healthy Ways to Trap and Kill the Pests in Your House and Garden New Edition by Hilary Dole Klein and Adrian M. Wenner. Berkeley. 2001. University of California Press. 268 pages. paperback. 9780520221079. Line drawings by Courtlandt Johnson. 

 

 

9780520221079FROM THE PUBLISHER -

  

 

Every year Americans use a staggering five hundred million pounds of toxic pesticides in and around their homes, schools, parks, and roads-a growing health risk for people and the environment. But are these poisons really necessary? This book, appealing to the hunter in us all, shows how to triumph in combat with pests without losing the war to toxic chemicals. Tiny Game Hunting, written in a lively and entertaining style and illustrated with detailed drawings, gives more than two hundred tried-and-true ways to control or kill common household and garden pests without using toxic pesticides.

 

Hilary Dole Klein is a writer living in Santa Barbara and the author of A Guide to Nonsexist Children's Books (1976) and Substituting Ingredients (third edition, 1994), among other books. Adrian M. Wenner is Professor Emeritus of Natural History at the University of California, Santa Barbara, and the author of books, articles, and a chapter in Comparative Psychology of Invertebrates: The Field and Laboratory Study of Insect Behavior (1997).

 

 

 

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The Tale Of Tsar Saltan by Alexander Pushkin. New York. 1996. Dial Press. hardcover. 32 pages. Illustrated by Gennady Spirin. Based On A Translation From The Russian by Pauline Hejl. 0803720017.

 

 

0803720017FROM THE PUBLISHER -

   

 Betrayed by her jealous sisters, a Tsarina and her infant son are marooned on a barren island until a magical swan helps them regain their rightful heritage.

 

 

 

Pushkin AlexanderAlexander Sergeyevich Pushkin (6 June 1799 – 10 February 1837) was a Russian author of the Romantic era who is considered by many to be the greatest Russian poet and the founder of modern Russian literature. Pushkin was born into Russian nobility in Moscow. His matrilineal great grandfather – Abram Gannibal – was brought over as a slave from what is now Eritrea and had risen to become an aristocrat. Pushkin published his first poem at the age of fifteen, and was widely recognized by the literary establishment by the time of his graduation from the Tsarskoye Selo Lyceum. While under the strict surveillance of the Tsar's political police and unable to publish, Pushkin wrote his most famous play, the drama Boris Godunov. His novel in verse, Eugene Onegin, was serialized between 1825 and 1832. Notoriously touchy about his honour, Pushkin fought as many as twenty-nine duels, and was fatally wounded in such an encounter with Georges-Charles de Heeckeren d'Anthès. Pushkin had accused D'Anthès, a French officer serving with the Chevalier Guard Regiment of attempting to seduce the poet's wife, Natalya Pushkina.

 

 

 

 

 

 

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Set the Night on fire: L.A. in the Sixties by Mike Davis and Jon Wiener. London/New York. 2020.  Verso. 9781784780227.  788 pages. hardcover. Cover design by Matt Dorfman.

 

9781784780227FROM THE PUBLISHER - 

 

A magisterial, riveting movement history of Los Angeles in the Sixties. Los Angeles in the sixties was a hotbed of political and social upheaval. The city was a launchpad for Black Power—where Malcolm X and Angela Davis first came to prominence and the Watts uprising shook the nation. The city was home to the Chicano Blowouts and Chicano Moratorium, as well as being the birthplace of “Asian American” as a political identity. It was a locus of the antiwar movement, gay liberation movement, and women’s movement, and, of course, the capital of California counterculture. Mike Davis and Jon Wiener provide the first comprehensive movement history of L.A. in the sixties, drawing on extensive archival research and dozens of interviews with principal figures, as well as the authors’ storied personal histories as activists. Following on from Davis’s award-winning L.A. history, City of Quartz, Set the Night on Fire is a historical tour de force, delivered in scintillating and fiercely beautiful prose. “Authoritative and impressive.” –Los Angeles Times. “Monumental.” –Guardian.

 

 

Davis Mike and Wiener JonMike Davis is the author of City of Quartz, Late Victorian Holocausts, Buda’s Wagon, and Planet of Slums. He is the recipient of a MacArthur Fellowship and the Lannan Literary Award. He lives in San Diego. Jon Wiener is a longtime Contributing Editor at the Nation and host and producer of Start Making Sense, the magazine’s weekly podcast. He is an Emeritus Professor of U.S. history at UC Irvine, and his books include Gimme Some Truth: The John Lennon FBI Files and How We Forgot the Cold War: A Historical Journey across America. He lives in Los Angeles.

 

 

 

 

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The Conformist by Alberto Moravia. New York. 1951. Farrar Straus & Young. hardcover. 376 pages. Cover: Stefan Salter. Translated from the Italian by Angus Davidson. 

 

 

conformistFROM THE PUBLISHER -

   The Conformist tells an intense story, building from climax to climax. It keeps the reader absorbed in continuous physical and psychological action as it unravels the twists and turns of a man snared in his own destiny. It is the story of the life, loves and fate of Marcello Clerici, a high Fascist official called upon to act as a spy. His iron and bitter desire is to become not a rebel set apart from others, but a conformist in step with the crowd. So strong is his resolve and so sinister his motives that he will embrace any evil in his struggle for conformity. His fiancé says to him, looking at him with a kind of strange curiosity, ‘Most people want to be different from everyone else. but you are just the opposite: anyone would think you wanted to be like everyone else.’ All over the world and in your own community are men who falsely conform, and they are men you will recognize. Moravia has drawn a brilliant and uncompromising portrait of a type he deplores and fears. By far the finest and most important novel Moravia has written, it shows with great skill and without pity the irrational tides that sweep a man through life to shipwreck or to landfall. The character drawing is intricate and persuasive, and the book is remarkable for its many scenes, all precisely selected, that reveal motive through action. Above all, this is a story, fast and absorbing; but whether it is read as a story, as a study of the influence of sex on political behavior or as a commentary on normal life in a totalitarian regime, it is dramatic and unforgettable. Every novel Alberto Moravia has written has been building up to THE CONFORMIST. More dramatic and earthy than THE WOMAN OF ROME, more poignant than Two ADOLESCENTS, and more personal than CONJUGAL LOVE, it is his greatest book, and one of the finest novels to come out of Europe in our time.

 

 

There is also a Signet edition -

 

Paperback. 318 pages. November 1953. S1071. Translated from the Italian by Angus Davidson.

 

FROM THE PUBLISHER -

signet conformist s1071   The New Novel by the author of Woman of Rome. ‘One of the best writers in the world today.’ – Time. This uncompromising novel of the life, loves and fate of an agent of the Italian Secret Police during the 1930’s is a profound and exciting story on every level. As a melodrama of intrigue, treachery and murder, it ranks with the finest suspense fiction. And as a penetrating portrait of a man whose falseness to his true nature destroys the very security he seeks, it is gripping and revealing. More dramatic and earthy than The Woman of Rome, more poignant than Two Adolescents and more personal than Conjugal Love, The Conformist ranks as a masterpiece. ALBERTO MORAVIA is one of the most brilliant contemporary Italian novelists. He has achieved international fame with his books The Woman of Rome (Signet #5844), Conjugal Love (Signet 922), Two Adolescents (Signet #960) and The Fancy Dress Party. Farrar, Straus & Young publish the original American editions of his novels.
 

 

 

 

 

Moravia AlbertoAlberto Moravia, born Alberto Pincherle (November 28, 1907 – September 26, 1990) was an Italian novelist and journalist. His novels explored matters of modern sexuality, social alienation, and existentialism. He is best known for his debut novel Gli indifferenti (published in 1929), and for the anti-fascist novel Il Conformista (The Conformist), the basis for the film The Conformist (1970) by Bernardo Bertolucci. Other novels of his translated to the cinema are Il Disprezzo (A Ghost at Noon or Contempt) filmed by Jean-Luc Godard as Le Mépris (Contempt) (1963); La Noia (Boredom), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964; and La Ciociara filmed by Vittorio de Sica as Two Women (1960). Cedric Kahn's L'Ennui (1998) is another version of La Noia. He was an atheist. He once remarked that the most important facts of his life had been his illness, a tubercular infection of the bones that confined him to a bed for five years, and Fascism, because they both caused him to suffer and do things he otherwise would not have done. ‘It is what we are forced to do that forms our character, not what we do of our own free will.’ His writing was marked by its factual, cold , precise style, often depicting the malaise of the bourgeoisie, and was rooted in the tradition of nineteenth-century narrative, underpinned by high social and cultural awareness. In his world, where inherited social, religious and moral beliefs are no longer acceptable, he considered sex and money the only basic criteria for judging social and human reality. Moravia believed that writers must, if they were to be successful in representing reality, ‘assume a moral position, a clearly conceived political, social, and philosophical attitude’ but also that, ultimately, - ‘A writer survives in spite of his beliefs.’ Between 1959 and 1962 Moravia was President of the worldwide association of writers, PEN International.

 

 

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Fantasies Of The Master Race by Ward Churchill (edited by M. Annette Jaimes). Monroe. 1992. Common Courage Press. paperback. 304 pages. Published Simultaneously In Cloth. 0962883867.

 

 

0962883867FROM THE PUBLISHER -

   Chosen an ‘Outstanding Book on the Subject of Human Rights in the United States’ by the Gustavus Myers Center for the Study of Human Rights. In this volume of incisive essays, Ward Churchill looks at representations of American Indians in literature and film, delineating a history of cultural propaganda that has served to support the continued colonization of Native America. During each phase of the genocide of American Indians, the media has played a critical role in creating easily digestible stereotypes of Indians for popular consumption. Literature about Indians was first written and published in order to provoke and sanctify warfare against them. Later, the focus changed to enlisting public support for ‘civilizing the savages,’ stripping them of their culture and assimilating them into the dominant society. Now, in the final stages of cultural genocide, it is the appropriation and stereotyping of Native culture that establishes control over knowledge and truth. The primary means by which this is accomplished is through the powerful publishing and film industries. Whether they are the tragically doomed ‘noble savages’ walking into the sunset of Dances With Wolves or Carlos Castaneda's Don Juan, the exotic mythical Indians constitute no threat to the established order. Literature and art crafted by the dominant culture are an insidious political force, disinforming people who might otherwise develop a clearer understanding of indigenous struggles for justice and freedom. This book is offered to counter that deception, and to move people to take action on issues confronting American Indians today.

 

 

Churchill WardWard LeRoy Churchill (born October 2, 1947) is an American author and political activist. He was a professor of ethnic studies at the University of Colorado at Boulder from 1990 to 2007. The primary focus of his work is on the historical treatment of political dissenters and Native Americans by the United States government. His work features controversial and provocative views, written in a direct, often confrontational style. In January 2005, Churchill's work attracted publicity because of the widespread circulation of a 2001 essay, ‘On the Justice of Roosting Chickens‘. In the essay, he claimed that the September 11 attacks were a natural and unavoidable consequence of what he views as unlawful US policy, and he referred to the ‘technocratic corps’ working in the World Trade Center as ‘little Eichmanns‘. In March 2005 the University of Colorado began investigating allegations that Churchill had engaged in research misconduct; it reported in June 2006 that he had done so. Churchill was fired on July 24, 2007, leading to a claim by some scholars that he was fired because of the ‘Little Eichmanns’ comment. Churchill filed a lawsuit against the University of Colorado for unlawful termination of employment. In April 2009 a Denver jury found that Churchill was wrongly fired, awarding him $1 in damages. In July 2009, a District Court judge vacated the monetary award and declined Churchill's request to order his reinstatement, deciding the university has ‘quasi-judicial immunity’. In February 2010, Churchill appealed the judge's decision. In November 2010, the Colorado Court of Appeals upheld the lower-court's ruling. In September 10, 2012, the Colorado Supreme Court upheld the lower courts' decisions in favor of the University of Colorado. On April 1st, 2013, the United States Supreme Court declined to hear the case.

 

 

 

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Saints And Strangers by Angela Carter. New York. 1986. Viking Press. hardcover. 126 pages. September 1986. Jacket design by Melissa Jacoby. Jacket painting The Peaceable Kingdom circa 1840-1845 by Edward Hicks. 0670811394.

 

 

0670811394FROM THE PUBLISHER -

   Spellbinding, entrancing, vital-all the words critics used to describe Carter’s Nights at the Circus apply as well to this thrilling collection by ‘the poet of the short story.’ - Lisa St. Aubin de Teran. The saints and strangers of Angela Carter’s title are those who, in the words of the Puritan settlers of Massachusetts, would colonize the New World. And in this dazzling collection of short fiction, the focus is on the New World of both fact and the imagination. Three of these eight stories are set in America-’The Fall River Axe Murders’ is a haunting cinematic prologue to that most celebrated of nineteenth-century crimes; ‘Our Lady of the Massacre’ depicts (in a completely authentic voice) the adventures of an eighteenth-century indentured servant who is kidnapped by the Indians and married to a chieftain; ‘The Cabinet of Edgar Allen Poe’ brings its obsessed hero to a kind of crippled life; and a fourth, ‘Black Venus,’ brilliantly reimagines the relationship of Charles Baudelaire to his Caribbean Creole mistress, a daughter of the New World languishing in the Old. In other stories, we are transported to the steppes of Central Asia (‘The Kiss’). an Alpine village full of mysterious happenings (‘Peter and the Wolf’), an enchanted forest (‘Overture and Incidental Music to A Midsummer Night’s Dream’), and an Edwardian kitchen (‘The Kitchen Child’). In each case, we are caught by the tale-spinning magic that distinguishes Angela Carter’s best work. Yet these stories do more than dazzle us with glittering prose and eccentric flights of fancy. Each speaks with an achingly human voice and embraces the frailty and mystery of the flesh. Whether they are saints or strangers, the subjects of Angela Carter’s latest book are unforgettable.

 

 

Carter AngelaAngela Carter (7 May 1940 – 16 February 1992) was an English novelist and journalist, known for her feminist, magical realism, picaresque and science fiction works. In 2008, The Times ranked Carter tenth, in their list of ‘The 50 greatest British writers since 1945’ Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature. She married twice, first in 1960 to Paul Carter. They divorced after twelve years. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in NOTHING SACRED (1982) that she ‘learnt what it is to be a woman and became radicalised.’ She wrote about her experiences there in articles for New Society and a collection of short stories, FIREWORKS: NINE PROFANE PIECES (1974), and evidence of her experiences in Japan can also be seen in THE INFERNAL DESIRE MACHINES OF DOCTOR HOFFMAN (1972). She then explored the United States, Asia and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son. As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in SHAKING A LEG. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and THE MAGIC TOYSHOP (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Woolf's Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jackson's Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts' book, Anagrams of Desire (2003). Her novel NIGHTS AT THE CIRCUS won the 1984 James Tait Black Memorial Prize for literature. At the time of her death, Carter was embarking on a sequel to Charlotte Brontë's Jane Eyre based on the later life of Jane's stepdaughter, Adèle Varens. However, only a synopsis survives. Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer.

 

 

 

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Stephen Hero by James Joyce. New York. 1944. New Directions. hardcover. 234 pages. Frontispiece portrait by Augustus John. Edited from the manuscript in the Harvard College Library, and introduction and editorial note, by Theodore Spencer. 

 

 

stephen hero 1944FROM THE PUBLISHER -

 

 

   STEPHEN HERO is an early version of Joyce’s PORTRAIT OF THE ARTIST AS A YOUNG MAN, probably completed about 1906. It is said that when the manuscript came back to Joyce after rejection by the twentieth publisher, he threw it into the fire, from which his wife was able to rescue only a portion. The 383 pages which first came to light were edited by the late Theodore Spencer and published by New Directions in 1944 through the courtesy of the Harvard College Library; they gave a long, connected section of the original – a sequence complete in itself. The first printing was immediately exhausted and a second, very large one lasted only several years. When twenty-five additional manuscript pages, forming a complete short incident, were found, New Directions held up reprinting so that they could be included. Edited by John J. Slocum and Herbert Cahoon, the Joyce bibliographers, who also contribute an interesting foreword, the new section is here printed with the permission of the Yale University Library. It throws new light on Joyce’s attitudes and, like the rest, makes excellent reading in itself. STEPHEN HERO differs extensively from the published text of PORTRAIT both in content and it treatment; it includes many characters and incidents later cut for the sake of compression. It is more an autobiography of Joyce and less an objectivized novel. As such it throws valuable light on the development of his extraordinary genius. As a human document it is profoundly moving – the candid story of a sensitive and brilliant young Irishman’s struggle against conventions of the Dublin of his day. The new incident, which precedes the earlier published sequence in time, takes this young Irishman into cities of central Ireland, which Joyce nowhere else describes, and shows them and persons he met there with flashing insight and vividness. The main manuscript rebegins shortly after Stephen (Joyce) enters the national University, and breaks off just as his emancipation from all that the University implies reaches a kind of climax. The love interest, only briefly sketched in PORTRAIT, is developed at some length in STEPHEN HERO, and also there is much detailed material about Joyce’s family background. Perhaps because Joyce was instinctively so superb a literary craftsman, the writing of STEPHEN HERO gives little indication of being a first draft. Passage after passage offer memorable examples of his pure and powerful prose style. His wit and irony are a continual delight, particularly in Stephen’s conversations which are very fully reproduced, and in his satiric comments on people and their ideas. In addition to the new foreword which ties the new manuscript to the one originally published, Professor Spencer’s long introductory essay is reprinted. It tells the history of the manuscript, compares its structure and technique with that of the final version, analyzes its principal themes and underscores its special literary values. The volume contains relevant illustrations.

And then, there is the 1955 New Directions edition - hardcover. 251 pages.

FROM THE PUBLISHER -

stephen hero new directions 1955 STEPHEN HERO is an early version of Joyce’s PORTRAIT OF THE ARTIST AS A YOUNG MAN, probably completed about 1906. It is said that when the manuscript came back to Joyce after rejection by the twentieth publisher, he threw it into the fire, from which his wife was able to rescue only a portion. The 383 pages which first came to light were edited by the late Theodore Spencer and published by New Directions in 1944 through the courtesy of the Harvard College Library; they gave a long, connected section of the original – a sequence complete in itself. The first printing was immediately exhausted and a second, very large one lasted only several years. When twenty-five additional manuscript pages, forming a complete short incident, were found, New Directions held up reprinting so that they could be included. Edited by John J. Slocum and Herbert Cahoon, the Joyce bibliographers, who also contribute an interesting foreword, the new section is here printed with the permission of the Yale University Library. It throws new light on Joyce’s attitudes and, like the rest, makes excellent reading in itself. STEPHEN HERO differs extensively from the published text of PORTRAIT both in content and it treatment; it includes many characters and incidents later cut for the sake of compression. It is more an autobiography of Joyce and less an objectivized novel. As such it throws valuable light on the development of his extraordinary genius. As a human document it is profoundly moving – the candid story of a sensitive and brilliant young Irishman’s struggle against conventions of the Dublin of his day. The new incident, which precedes the earlier published sequence in time, takes this young Irishman into cities of central Ireland, which Joyce nowhere else describes, and shows them and persons he met there with flashing insight and vividness. The main manuscript rebegins shortly after Stephen (Joyce) enters the national University, and breaks off just as his emancipation from all that the University implies reaches a kind of climax. The love interest, only briefly sketched in PORTRAIT, is developed at some length in STEPHEN HERO, and also there is much detailed material about Joyce’s family background. Perhaps because Joyce was instinctively so superb a literary craftsman, the writing of STEPHEN HERO gives little indication of being a first draft. Passage after passage offer memorable examples of his pure and powerful prose style. His wit and irony are a continual delight, particularly in Stephen’s conversations which are very fully reproduced, and in his satiric comments on people and their ideas. In addition to the new foreword which ties the new manuscript to the one originally published, Professor Spencer’s long introductory essay is reprinted. It tells the history of the manuscript, compares its structure and technique with that of the final version, analyzes its principal themes and underscores its special literary values. The volume contains relevant illustrations. James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century. Joyce is best known for Ulysses (1922), a landmark work in which the episodes of Homer's Odyssey are paralleled in an array of contrasting literary styles, perhaps most prominent among these the stream of consciousness technique he perfected. Joyce was born in Dublin, Ireland, on February 2, 1882. He was the oldest of ten children in a family that experienced increasing financial difficulties during his childhood. After attending Clongowes Wood College and Belevedere College (both Jesuit institutions) in Dublin, he entered the Royal University, where he studied languages and philosophy. Upon his graduation, in 1902, Joyce left Ireland for France but returned the following year because his mother was dying. In 1904 he met Nora Barnacle (they fell in love on June 16, ‘Bloomsday’), and in October of that year they went together to Europe, settling in Trieste. In 1909 and again in 1912 Joyce made unsuccessful attempts to publish Dubliners, a collection of fifteen stories that he intended to be ‘a chapter of the moral history of my country focused on Dublin, ‘the centre of paralysis.’ In 1914 Dubliners finally appeared, followed by the semiautobiographical novel A PORTRAIT OF THE ARTIST AS A YOUNG MAN, a reworking of an earlier manuscript, STEPHEN HERO. During the First World War Joyce and Nora lived in Zurich; in 1920 they moved to Paris, where Ulysses was published in 1922. FINNEGANS WAKE, Joyce’s most radical and complex work, began appearing in installments in 1928 and was published in its entirety in 1939. After the German occupation of Paris, Joyce and Nora (who were married in 1931) moved to Zurich, where he died in January. His complete oeuvre includes three books of poetry, a play, occasional journalism, and his published letters. Though most of his adult life was spent abroad, Joyce's fictional universe does not extend far beyond Dublin, and is populated largely by characters who closely resemble family members, enemies and friends from his time there; Ulysses in particular is set with precision in the streets and alleyways of the city. Shortly after the publication of Ulysses he elucidated this preoccupation somewhat, saying, ‘For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.’

Joyce JamesJames Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century. Joyce is best known for Ulysses (1922), a landmark work in which the episodes of Homer's Odyssey are paralleled in an array of contrasting literary styles, perhaps most prominent among these the stream of consciousness technique he perfected. Joyce was born in Dublin, Ireland, on February 2, 1882. He was the oldest of ten children in a family that experienced increasing financial difficulties during his childhood. After attending Clongowes Wood College and Belevedere College (both Jesuit institutions) in Dublin, he entered the Royal University, where he studied languages and philosophy. Upon his graduation, in 1902, Joyce left Ireland for France but returned the following year because his mother was dying. In 1904 he met Nora Barnacle (they fell in love on June 16, ‘Bloomsday’), and in October of that year they went together to Europe, settling in Trieste. In 1909 and again in 1912 Joyce made unsuccessful attempts to publish Dubliners, a collection of fifteen stories that he intended to be ‘a chapter of the moral history of my country focused on Dublin, ‘the centre of paralysis.’ In 1914 Dubliners finally appeared, followed by the semiautobiographical novel A PORTRAIT OF THE ARTIST AS A YOUNG MAN, a reworking of an earlier manuscript, STEPHEN HERO. During the First World War Joyce and Nora lived in Zurich; in 1920 they moved to Paris, where Ulysses was published in 1922. FINNEGANS WAKE, Joyce’s most radical and complex work, began appearing in installments in 1928 and was published in its entirety in 1939. After the German occupation of Paris, Joyce and Nora (who were married in 1931) moved to Zurich, where he died in January. His complete oeuvre includes three books of poetry, a play, occasional journalism, and his published letters. Though most of his adult life was spent abroad, Joyce's fictional universe does not extend far beyond Dublin, and is populated largely by characters who closely resemble family members, enemies and friends from his time there; Ulysses in particular is set with precision in the streets and alleyways of the city. Shortly after the publication of Ulysses he elucidated this preoccupation somewhat, saying, ‘For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.’

 

 

 

 

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Heavy Traffic & High Culture: New American Library as Literary Gatekeeper in the Paperback Revolution by Thomas L. Bonn. Carbondale. 1989. Southern Illinois University Press. hardcover. 241 pages. 0809314789.

 

 

0809314789FROM THE PUBLISHER -

 

 

   This is a book about the magical names in literature, about the literary heritage of a nation balanced against a backdrop of big business; it is the story of New American library from 1946 to 1961 and of Victor Weybright, the publisher whose talismanic phrase, ‘luster and lucre,’ characterizes both the cultural and financial formu1a that guided this giant paperback house. The book is based on the editorial correspondence at NAL from the company’s beginning in 1945 until just after its purchase by the Times-Mirror Company. Generally ignoring financial, marketing, and production records, the files that form the core of this book concentrate on interoffice memoranda to and from editorial staff and feature letters to and from authors, agents, publishers, and readers. Bonn shows how Weybright and copublisher Kurt Enoch advanced NAL from a poor, scarcely tolerated relation - as were all paperback reprinters - in the publishing family to a prestigious, even proprietary publisher, initiating contracts and discovering new talent. By the middle of the l950s, many hardcover publishing houses were accepting original manuscripts based on their anticipated mass market paperback sales. Bonn employs the ‘gatekeeper’ theory of communication to account for much of NAL’s success, citing Weybright as chief gatekeeper. Explaining this theory as Weybright applied it, Bonn notes that ‘the tension on the gate’s spring is created by the cultural contribution the work is likely to make tempered by its projected balance sheet.’ Weybright brought harmony to the conflicting interests of culture vs. commerce; his goal was ‘heavy traffic, high culture’ or John Steinbeck, Tennessee Williams, William Faulkner, Truman Capote, Ernest Hemingway and others at the dimly remembered 25 cents per copy. Bonn focuses on Weybright’s dealings with Bennett Cerf and Random House, Charles Scribner’s Sons, Alfred A. Knopf, and other hardback houses to show how NAL acquired titles. In this book, notable for its previously unpublished correspondence by major figures, Bonn scores another triumph by examining the phenomenon of paperback abridgment. These letters reveal the reactions of James M. Cain, James Jones, and Robert Penn Warren when paperback economics killed as many as half of their words. Well-founded fear of censorship, these files reveal, consumed much money and time, yet of all of the books on the NAL list, only Erskine Caldwell’s God’s Little Acre was judged obscene in a courtroom. The works of James M. Cain were challenged, as were those of Faulkner, until he won his 1950 Nobel Prize. Weybright also faced a continuing battle with certain authors over paperback covers. The editor’s views as to what would sell books frequently conflicted with the opinions of his authors. William Styron acquiesced to Weybright with some grace, but the cover conflict between NAL and James T. Farrell was bitter; the rift between NAL and J. D. Salinger over covers for The Catcher in the Rye and Nine Stories grew so acrimonious that both sides lost when Salinger severed his relationship with the company. NAL published the great—William Faulkner, Norman Mailer, J. D. Salinger - and the big money-makers - Erskine Caldwell, Ian Fleming, Mickey Spillane. This ideal arrangement enabled the innovative paperback publishing company to make a profit even as it made a gigantic cultural contribution.

 

 

Thomas L. Bonn, Librarian at the State University of New York, College at Cortland, is the author of Paperback Primer: A Guide for Collectors and Under Cover: An Illustrated History of American Mass Market Paperbacks.

 

 

 

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The Business Of Books: How International Conglomerates Took Over Publishing & Changed The Way We Read by Andre Schiffrin. New York. 2000. Verso. hardcover. 181 pages. 1859847633.

 

 

1859847633FROM THE PUBLISHER -

 

 

   Postwar American publishing has been ruthlessly transformed since André Schiffrin joined its ranks in 1956. Gone is a plethora of small but prestigious houses that often put ideas before profit in their publishing decisions, sometimes even deliberately. Now six behemoths share 80% of the market and profit margin is all. André Schiffrin can write about these changes with authority because he witnessed them from inside a conglomerate, as head of Pantheon, co-founded by his father bought (and sold) by Random House. And he can write about them with candor because he is no longer on the inside, having quit corporate publishing in disgust to setup a flourishing independent house, the New Press. Schiffrin’s evident affection for his authors sparkles throughout a story woven around publishing the work of those such as Studs Terkel, Noam Chomsky, Gunnar Myrdal, George Kennan, Juliet Mitchell, R.D.Laing, Eric Hobsbawm and E.P. Schiffrin AndreThompson. Part-memoir, part-history, here is an account of the collapsing standards of contemporary publishing that is irascible, acute and passionate. An engaging counterpoint to recent, celebratory memoirs of the industry written by those with more stock options and fewer scruples than Schiffrin, The Business of Books warns of the danger to adventurous, intelligent publishing in the bullring of today’s marketplace.

  

 André Schiffrin was, for thirty years, Publisher at Pantheon. He was also the Director of the New Press, which he founded in 1993. He contributed a regular column on publishing to the Chronicle of Higher Education.

 

 

 

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Paperbacks, U. S. A.: A Graphic History, 1939-1959 by Piet Schreuders. San Diego. 1981. Blue Dolphin Enterprises. paperback. 259 pages. September 1981. Translated from the Dutch by Josh Pachter. 

 

 

paperbacks usaFROM THE PUBLISHER -

 

 

   In this informative and entertaining description of the first 20 years of paperback history, the emphasis is on the way these early books looked, and especially on their covers: who made them, how they were produced, and how they changed over two decades. Piet Schreuders, editor and designer of two popular Dutch magazines (Furore and the Poezenkrant), spent five years researching the roots of this cultural phenomenon and found, besides shameless plagiarism, amateurish drawings and commercially-bred bad taste, a wealth of sensitive, human, original and unique design and art.Schreuders Piet

 

 

Piet Schreuders (Born 1951 in Rotterdam, The Netherlands) is an independent graphic designer based in Amsterdam. His specialties include magazines, books, cds, cartography and rephotography. He is a leading expert in pop culture archaeology, including the pamphlet Lay In - Lay Out, a guide to Beatles locations in London and the work of paperback illustrator James Avati. His recreations of the music of Leroy Shield, the composer of stock music from Hal Roach comedies, led to the creation of the Dutch documentary orchestra, The Beau Hunks. He is editor and designer of De Poezenkrant (a newsletter about cats) and of FURORE (a magazine about everything else). He served as art director of the weekly media magazine VPRO Gids from 1998 until 2013.

 

 

 

 

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Antipoems: New & Selected by Nicanor Parra. New York. 1985. New Directions. hardcover. 208 pages. Jacket photograph by Layle Silbert. design by Denise Breslin. Edited by David Unger Various Translators From The Spanish. 0811209598.

 

 

0811209598FROM THE PUBLISHER -

 

 

   ANTIPOEMS: NEW AND SELECTED, a fresh bilingual gathering aswell as retrospective of the work of Chile’s foremost poet, reintroduces him to North American readers after thirteen years. Though he has been hardly unproductive, the politics of his homeland have channeled his inventiveness into new modes of expression, which remind us of the sometimes sly hermeticism of Italian writers, Eugenio Montale and Elio Vittorini among them, during the Fascist regime. As Frank MacShane makes clear in his introduction, Parra has not tried to escape repression, but by ‘using his wit and his humor, he has shown how the artist can still speak the truth in troubled times.’ Since much of Parra’s early work is now out of print, editor David Unger has included many of the poems which influenced North American poets such as Ferlinghetti and Merton in the ‘50s and ‘60s, some in new or revised translations. Of Parra’s more recent work, there are generous selections from Artifacts (1972), Sermons and Preachings of the Christ of Elqui (1977), New Sermons and Preachings of the Christ of Elqui (1979), Jokes to Mislead the Police (1983), Ecopoems (1983), Recent Sermons (1983), and a section of ‘Uncollected Poems’ (1984). ANTIPOEMS: NEW AND SELECTED is edited by David Unger, who contributed many of the translations to Enrique Lihn’s THE DARK ROOM AND OTHER Poems (New Directions, 1978). Professor Frank MacShane of Columbia University, in his critical introduction, gives a full evaluation of a poet who ‘is unquestionably one of the most influential and accomplished in Latin America today, heir to the position long held by his countryman, Pablo Neruda.’ CONTENTS: Introduction by Prank MacShane; Editor’s Note by David Unger; from Poemas y antipoemas/Poems and Antipoems (1954); from Nebulosa/Nebula (1950); from Versos de salon/Salon Verses (1962); from Canciones rusas/Russian Songs (1967); from Ejercicios respiratorios/Breathing Exercises (1964-66); from La camisa de fuerza/The Straitjacket (1968); Los Professores/The Teachers (1971); from Poemas de emergencia/Emergency Poems (1972); from Artefactos/Artifacts (1972); Memorias de un ataud/Memories of a Coffin (1975); from Sermones y prédicas del Cristo de Elqui/The Sermons and Preachings of the Christ of Elqui (1977); from Nuevos sermones y prédicas del Cristo de Elqui/New Sermons and Preachings of the Christ of Elqui (1979); from Chistes parRa desorientar a la policia/Jokes to Mislead the Police (1983); from Ecopoemas/Eco poems (1983); from Ultimos sermones/Recent Sermons (1983); from Poemas inéditos/Uncollected Poems (1984); Index of titles (Spanish); Index of titles (English).

 

 

Parra NicanorNicanor Parra Sandoval (born 5 September 1914) is a Chilean poet, mathematician, and physicist. He is considered an influential poet in Chile and throughout Latin America. Some rank him among the most important poets of Spanish language literature. Parra describes himself as an ‘anti-poet,’ due to his distaste for standard poetic pomp and function; after recitations he exclaims ‘Me retracto de todo lo dicho’ (‘I take back everything I said’). Parra, the son of a schoolteacher, was born in 1914 in San Fabián de Alico, Chile, near Chillán in southern Chile. He comes from the artistically prolific Parra family of performers, musicians, artists, and writers. His sister, Violeta Parra, was a folk singer, as was his brother Roberto Parra Sandoval. In 1933, he entered the Instituto Pedagógico of the University of Chile, and qualified as a teacher of mathematics and physics in 1938, one year after his first book, Cancionero sin Nombre, appeared. After teaching in Chilean secondary schools, in 1943 he enrolled in Brown University in the United States to study physics. In 1948, he attended Oxford University to study cosmology. He returned to Chile as a professor at the Universidad de Chile in 1946. Since 1952, Parra has been professor of theoretical physics in Santiago and has read his poetry in England, France, Russia, Mexico, Cuba, and the United States. He has published several books. Parra chooses to leave behind the conventions of poetry; his poetic language renounces the refinement of most Latin American literature and adopts a more colloquial tone. His first collection, Poemas y Antipoemas (1954) is a classic of Latin American literature, one of the most influential Spanish poetry collections of the twentieth century. It is cited as an inspiration by American Beat writers such as Allen Ginsberg. On December 1, 2011, Parra won the Spanish Ministry of Culture's Cervantes Prize, the most important literary prize in the Spanish-speaking world. On June 7, 2012, he won the Premio Iberoamericano de Poesía Pablo Neruda.

 

 

 

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Black Venus by Angela Carter. London. 1985. Chatto & Windus/Hogarth Press. hardcover. 121 pages. Jacket design by Don Macpherson. 0701139641.

 

 

0701139641FROM THE PUBLISHER -

 

 

   Extraordinary and diverse people inhabit this rich, ripe, occasionally raucous collection of short stories. Some are based on real people - Jeanne Duval, Baudelaire’s handsome and reluctant muse who never asked to be called the Black Venus, trapped in the terminal ennui of the poet’s passion, snatching at a little lifesaving respectability against all odds. Edgar Allen Poe, with his face of a tragic actor, demonstrating in every thought and deed how right his friends were when they said ‘No man is safe who drinks before breakfast.’ And Lizzie Borden, lying in bed one hot summer’s night in a turn-of-the-century New England mill town, dreaming about parricide. And some of these people are totally imaginary. Such as the seventeenth century whore, transported to Virginia for thieving, who turns into a good woman in spite of herself among the Indians, who have nothing worth stealing. And a girl, suckled by wolves, strange and indifferent as nature, who will not tolerate returning to humanity. To say nothing of the ‘infant prodigy of the pans’, the child chef who teaches himself French from cookery books (‘A for asperges. And one of them - ‘Call me the Golden Herm’ - takes off from a clue about the ambiguous nature of the changeling prince in ‘A Midsummer Night’s Dream’ who causes so much trouble between Oberon and Titania. Angela Carter wonderfully mingles history, fiction, invention, literary criticism, high drama and low comedy in a glorious collection of stories as full of contradictions and surprises as life itself. Angela Carter was born in 1940. She read English at Bristol University, spent two years living in Japan and from 1976-8 was a Fellow in Creative Writing at Sheffield University. She was visiting professor in the Writing Programme at Brown University, Providence, Rhode Island, in 1980-81, and writer in residence at the University of Adelaide, South Australia, in 1984. Her first novel, SHADOW DANCE, was published in 1965, to be followed by THE MAGIC TOYSHOP (1967, John Llewellyn Rhys Prize), SEVERAL PERCEPTIONS (1968, Somerset Maugham Award), HEROES AND VILLAINS (1969), LOVE (1971), THE INFERNAL DESIRE MACHINES OF DR HOFFMAN (1972), THE PASSION OF NEW EVE (1977) and NIGHTS AT THE CIRCUS (1984). Angela Carter has also published two collections of stories, Fireworks (1974) and THE BLOODY CHAMBER (1979, Cheltenham Festival of Literature Award); and two works of non-fiction, THE SADEIAN WOMAN: AN EXERCISE IN CULTURAL HISTORY (1979) AND NOTHING SACRED (1982), a collection of her journalism from New Society and elsewhere. She also wrote, with Neil Jordan, the script for the film The Company of Wolves (1984).

 

 

Carter AngelaAngela Carter (7 May 1940 – 16 February 1992) was an English novelist and journalist, known for her feminist, magical realism, picaresque and science fiction works. In 2008, The Times ranked Carter tenth, in their list of ‘The 50 greatest British writers since 1945’ Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature. She married twice, first in 1960 to Paul Carter. They divorced after twelve years. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in NOTHING SACRED (1982) that she ‘learnt what it is to be a woman and became radicalised.’ She wrote about her experiences there in articles for New Society and a collection of short stories, FIREWORKS: NINE PROFANE PIECES (1974), and evidence of her experiences in Japan can also be seen in THE INFERNAL DESIRE MACHINES OF DOCTOR HOFFMAN (1972). She then explored the United States, Asia and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son. As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in SHAKING A LEG. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and THE MAGIC TOYSHOP (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Woolf's Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jackson's Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts' book, Anagrams of Desire (2003). Her novel NIGHTS AT THE CIRCUS won the 1984 James Tait Black Memorial Prize for literature. At the time of her death, Carter was embarking on a sequel to Charlotte Brontë's Jane Eyre based on the later life of Jane's stepdaughter, Adèle Varens. However, only a synopsis survives. Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer.

 

 

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The Killing Of Crazy Horse by Thomas Powers. New York. 2010. Knopf. hardcover. 569 pages. November 2010. Front-of-jacket image - ‘Retreat of Major Marcus Reno’s Command’ (detail) by Amos Bad Heart Bull. Jacket design by Jason Booher. 9780375414466.

 

 

9780375414466FROM THE PUBLISHER -

 

 

   He was the greatest Indian warrior of the nineteenth century. His victory over General Custer at the battle of Little Bighorn in 1876 was the worst defeat inflicted on the frontier Army. And the death of Crazy Horse in federal custody has remained a controversy for more than a century. THE KILLING OF CRAZY HORSE pieces together the many sources of fear and misunderstanding that resulted in an official killing hard to distinguish from a crime. A rich cast of characters, whites and Indians alike, passes through this story, including Red Cloud, the chief who dominated Oglala history for fifty years but saw in Crazy Horse a dangerous rival; No Water and Woman Dress, both of whom hated Crazy Horse and schemed against him; the young interpreter Billy Garnett, son of a fifteen-year-old Oglala woman and a Confederate general killed at Gettysburg; General George Crook, who bitterly resented newspaper reports that he had been whipped by Crazy Horse in battle; Little Big Man, who betrayed Crazy Horse; Lieutenant William Philo Clark, the smart West Point graduate who thought he could ‘work’ Indians to do the Army’s bidding; and Fast Thunder, who called Crazy Horse cousin, held him the moment he was stabbed, and then told his grandson thirty years later, ‘They tricked me! They tricked me!’ At the center of the story is Crazy Horse himself, the warrior of few words whom the Crow said they knew best among the Sioux, because he always came closest to them in battle. No photograph of him exists today. The death of Crazy Horse was a traumatic event not only in Sioux but also in American history. Powers ThomasWith the Great Sioux War as background and context, drawing on many new materials as well as documents in libraries and archives, Thomas Powers recounts the final months and days of Crazy Horse’s life not to lay blame but to establish what happened.

 

 

Thomas Powers is a Pulitzer Prize–winning journalist and writer best known for his books on the history of intelligence organizations. Among them are INTELLIGENCE WARS: AMERICAN SECRET HISTORY FROM HITLER TO AL-QAEDA; HEISENBERG’S WAR: THE SECRET HISTORY OF THE GERMAN BOMB; and THE MAN WHO KEPT THE SECRETS: RICHARD HELMS AND THE CIA. For most of the last decade Powers kept a 1984 Volvo at a nephew’s house in Colorado, which he drove on frequent trips to the northern Plains. He lives in Vermont with his wife, Candace.

 

 

 

 

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Burning Your Boats: The Collected Short Stories by Angela Carter. New York. 1996. Henry Holt. hardcover. 462 pages. April 1996. Jacket illustration by John Wesrmark. Introduction by Salman Rushdie. 0805044620.

 

 

0805044620FROM THE PUBLISHER -

 

 

   From early reflections on jazz and Japan, through vigorous refashionings of vampires and werewolves, to stunning snapshots of real-life outcasts and the glorious but tainted world of ‘the rich and famous,’ this complete collection of Angela Carter’s short stories gathers together four published books-’Fireworks,’ ‘The Bloody Chamber,’ ‘Black Venus,’ ‘American Ghosts’ and ‘Old World Wonders’-with her early work and uncollected stories. ‘A strange, compelling book. an undoubted success.’ -The New York Times.

 

 

 

Carter AngelaAngela Carter (7 May 1940 – 16 February 1992) was an English novelist and journalist, known for her feminist, magical realism, picaresque and science fiction works. In 2008, The Times ranked Carter tenth, in their list of ‘The 50 greatest British writers since 1945’ Born Angela Olive Stalker in Eastbourne, in 1940, Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled anorexia. She began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature. She married twice, first in 1960 to Paul Carter. They divorced after twelve years. In 1969 Angela Carter used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, Japan, where she claims in NOTHING SACRED (1982) that she ‘learnt what it is to be a woman and became radicalised.’ She wrote about her experiences there in articles for New Society and a collection of short stories, FIREWORKS: NINE PROFANE PIECES (1974), and evidence of her experiences in Japan can also be seen in THE INFERNAL DESIRE MACHINES OF DOCTOR HOFFMAN (1972). She then explored the United States, Asia and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977 Carter married Mark Pearce, with whom she had one son. As well as being a prolific writer of fiction, Carter contributed many articles to The Guardian, The Independent and New Statesman, collected in SHAKING A LEG. She adapted a number of her short stories for radio and wrote two original radio dramas on Richard Dadd and Ronald Firbank. Two of her fictions have been adapted for the silver screen: The Company of Wolves (1984) and THE MAGIC TOYSHOP (1987). She was actively involved in both film adaptations, her screenplays are published in the collected dramatic writings, The Curious Room, together with her radio scripts, a libretto for an opera of Virginia Woolf's Orlando, an unproduced screenplay entitled The Christchurch Murders (based on the same true story as Peter Jackson's Heavenly Creatures) and other works. These neglected works, as well as her controversial television documentary, The Holy Family Album, are discussed in Charlotte Crofts' book, Anagrams of Desire (2003). Her novel NIGHTS AT THE CIRCUS won the 1984 James Tait Black Memorial Prize for literature. At the time of her death, Carter was embarking on a sequel to Charlotte Brontë's Jane Eyre based on the later life of Jane's stepdaughter, Adèle Varens. However, only a synopsis survives. Angela Carter died aged 51 in 1992 at her home in London after developing lung cancer.

 

 

 

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American Pulp: How Paperbacks Brought Modernism to Main Street by Paula Rabinowitz. Princeton. 2014. Princeton University Press. hardcover. 390 pages. September 2014. Jacket painting: Guy Pene Du Bois, ‘Portia in a Pink Blouse,’ 1942. Jacket design by Pamela Lewis Schnitter. 9780691150604.

 

 

9780691150604FROM THE PUBLISHER -

 

 

   ‘There is real hope for a culture that makes it as easy to buy a book as it does a pack of cigarettes.'--a civic leader quoted in a New American Library ad (1951) American Pulp tells the story of the midcentury golden age of pulp paperbacks and how they brought modernism to Main Street, democratized literature and ideas, spurred social mobility, and helped readers fashion new identities. Drawing on extensive original research, Paula Rabinowitz unearths the far-reaching political, social, and aesthetic impact of the pulps between the late 1930s and early 1960s. Published in vast numbers of titles, available everywhere, and sometimes selling in the millions, pulps were throwaway objects accessible to anyone with a quarter. Conventionally associated with romance, crime, and science fiction, the pulps in fact came in every genre and subject. American Pulp tells how these books ingeniously repackaged highbrow fiction and nonfiction for a mass audience, drawing in readers of every kind with promises of entertainment, enlightenment, and titillation. Focusing on important episodes in pulp history, Rabinowitz looks at the wide-ranging effects of free paperbacks distributed to World War II servicemen and women; how pulps prompted important censorship and First Amendment cases; how some gay women read pulp lesbian novels as how-to-dress manuals; the unlikely appearance in pulp science fiction of early representations of the Holocaust; Rabinowitz Paulahow writers and artists appropriated pulp as a literary and visual style; and much more. Examining their often-lurid packaging as well as their content, American Pulp is richly illustrated with reproductions of dozens of pulp paperback covers, many in color. A fascinating cultural history, American Pulp will change the way we look at these ephemeral yet enduringly intriguing books.

 

 

Paula Rabinowitz is professor of English at the University of Minnesota. Her books include Black & White & Noir: America’s Pulp Modernism, and she is the coeditor of Habits of Being, a four-volume series on clothing and identity.

 

 

 

 

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The Original Folk and Fairy Tales of the Brothers Grimm: The Complete First Edition by Jacob Grimm and Wilhelm Grimm. Princeton. Princeton University Press. hardcover. 519 pages. Cover illustration by Andrea Dezsö. Illustrated by Andrea Dezsö. 9780691160597.

 

 

9780691160597FROM THE PUBLISHER -

 

 

   When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as 'Rapunzel,' 'Hansel and Gretel,' and 'Cinderella' would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö. From 'The Frog King' to 'The Golden Key,' wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes. A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.

 

 

Grimm Jacob and WilhelmThe Brothers Grimm (or Die Brüder Grimm), Jacob (1785–1863) and Wilhelm Grimm (1786–1859), were German academics, linguists, cultural researchers, lexicographers and authors who together specialized in collecting and publishing folklore during the 19th century. They were among the best-known storytellers of folk tales, and popularized stories such as 'Cinderella' ('Aschenputtel'), 'The Frog Prince' ('Der Froschkönig'), 'Hansel and Gretel' ('Hänsel und Gretel'), 'Rapunzel', 'Rumpelstiltskin' ('Rumpelstilzchen'), and 'Snow White' ('Schneewittchen'). Their first collection of folk tales, Children's and Household Tales (Kinder- und Hausmärchen), was published in 1812. The brothers spent their formative years in the German town of Hanau. Their father's death in 1796 caused great poverty for the family and affected the brothers for many years after. They both attended the University of Marburg where they developed a curiosity about German folklore, which grew into a lifelong dedication to collecting German folk tales. The rise of romanticism during the 19th century revived interest in traditional folk stories, which to the brothers represented a pure form of national literature and culture. With the goal of researching a scholarly treatise on folk tales, they established a methodology for collecting and recording folk stories that became the basis for folklore studies. Between 1812 and 1857, their first collection was revised and republished many times, growing from 86 stories to more than 200. In addition to writing and modifying folk tales, the brothers wrote collections of well-respected German and Scandinavian mythologies, and in 1838 they began writing a definitive German dictionary (Deutsches Wörterbuch), which they were unable to finish during their lifetime. The popularity of the Grimms' collected folk tales has endured well. The tales are available in more than 100 languages and have been later adapted by filmmakers including Lotte Reiniger and Walt Disney, with films such as Snow White and the Seven Dwarfs and Sleeping Beauty. In the mid-20th century, the tales were used as propaganda by the Third Reich; later in the 20th century psychologists such as Bruno Bettelheim reaffirmed the value of the work, in spite of the cruelty and violence in original versions of some of the tales, which the Grimms eventually sanitized.

 

 

 

Zipes JackJack Zipes is the translator of 'The Complete Fairy Tales of the Brothers Grimm' (Bantam), the editor of 'The Great Fairy Tale Tradition' (Norton), and the author of 'Grimm Legacies' (Princeton), among many other books. He is professor emeritus of German and comparative literature at the University of Minnesota. Andrea Dezsö is a visual artist who works across a broad range of media. Her permanent public art is installed in two NYC subway stations, at CUNY Fiterman Hall, and at the US Embassy in Bucharest. Dezsö exhibits in museums and galleries worldwide and is associate professor of art at Hampshire College.

 

 

 

 

 

 

 

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What Became Of Jane Austen? And Other Questions by Kingsley Amis. New York. 1971. Harcourt Brace & Jovanovich. hardcover. 223 pages. 0151958602.

 

 

0151958602FROM THE PUBLISHER -

 

 

   Although Kingsley Amis’s reputation rests mainly on his novels, he has since 1955 established himself as one of England’s wittiest and most trenchant essayists and critics. The remarkable variety of his ideas and interests makes the present volume as stimulating and recurrently surprising as it is enjoyable. There is literary criticism of writers as diverse as Hans Christian Andersen, Jules Verne, and Miss Austen herself (Janeites will take umbrage), and of novels from SORRELL AND SON to PORTNOY’S COMPLAINT and LOLITA (‘one of the troubles with LOLITA is that, so far from being too pornographic, it is not pornographic enough’). There are articles on such widely assorted topics as horror movies, fictional detectives, and the National Eistedfodd of Wales, and accounts of the author’s experiences as judge at a beauty contest, with a poet named Dylan Thomas, and with one named Yevgeny Yevtushenko. And there are assorted fragments of autobiography (a reminiscence of the first school he attended, a memoir of his father) and confession (why he wrote a James Bond novel, why he left the Left). This is, in short, a miscellany, and a bracing one; its arrangement is not random, and it should be read straight through rather than browsed in. Kingsley Amis’s characteristically witty, challenging, sometimes enraging voice proves also to be that of a rationalist, a moralist, a man of good sense – and a writer of some of the best prose of our day.

 

 

Amis KingsleyKingsley Amis was born in South London in 1922 and was educated at the City of London School and at St John’s College, Oxford, of which he was an Honorary Fellow. Between 1949 and 1963 he taught at the University College of Swansea, Princeton University and Peterhouse, Cambridge. He started his career as a poet and continued to write in that medium ever since. His novels include LUCKY JIM (1954). TAKE A GIRL LIKE YOU (1960), THE ANTI-DEATH LEAGUE (1966), ENDING UP (1974), THE ALTERATION (1976), JAKE’S THING (1978) and STANLEY AND THE WOMEN (1984). His novel, THE OLD DEVILS, won the Booker Prize for Fiction in 1986. Among his other publications are NEW MAPS OF HELL, a survey of science fiction (1960), RUDYARD KIPLING AND HIS WORLD (1975) and THE GOLDEN AGE OF SCIENCE FICTION (1981). He published his COLLECTED POEMS in 1979, and has also edited THE NEW OXFORD BOOK OF LIGHT VERSE and THE FABER POPULAR RECITER. Kingsley Amis was awarded the CBE in 1981.

 

 

 

 

 

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 Mary Ann Carroll: First Lady of the Highwaymen by Gary Monroe. Gainesville. University Press of Florida. hardcover. 192 pages. September 2014. 8 x 10. 9780813049694.

 

9780813049694FROM THE PUBLISHER -

 

   Beach scenes on hotel walls, Poinciana trees in the White House. ‘Here, Monroe tells perhaps his most compelling tale of all—about the only Highwaywoman, Mary Ann Carroll ‘ —Jeff Klinkenberg, author of Alligators in B-Flat. ‘A tale of triumph, personal survival, discipline, and, finally, of faith ‘—Linda Hudson, mayor, Fort Pierce, Florida. In the years since the art world discovered them, much has been made of the Highwaymen—the loosely knit band of African American painters whose edenic Florida land scapes, created with inexpensive materials and sold out of their cars, ‘shaped the state’s popular image as much as oranges and alligators’ (New York Times) But lost in the legends surrounding the group is the mesmerizing story of Mary Ann Carroll, the only female ‘Highwayman ‘ In 1957, sixteen-year-old Carroll met Harold Newton, later dubbed the original Highwayman He had red flames on his car and was painting a landscape along the side of the road The young African American girl was shocked: here was a black man who didn’t work in the orange groves, who made a living off his paintings It wasn’t long before she was creating and selling her own landscapes, and the other Highwaymen, taking note of her startling use of color, welcomed her into the fold Carroll sold her first painting at eighteen - remarkable for any young artist, unheard of for a black woman artist in the South Like her Highwaymen brethren, she travelled across the state, selling her art at hotels, offices, and restaurants where she was not allowed to drink, eat, or even sit If the Highwaymen faced discrimination at every door they knocked on, then the challenges were magnified for Carroll She took pride in always having her pristine Buick gassed and ready to go and her small handgun cleaned and ready to use After years of virtual obscurity, Carroll was invited to the First Lady’s Luncheon in 2011, where she presented a painting of her iconic poinciana to Michelle Obama Mary Ann Carroll is the never-before-told story of a black female artist’s hard- fought journey to feed her family and make a name for herself in a man’s world.Monroe Gary

 

 

 

 GARY MONROE, professor of fine arts and photography at Daytona State College, is the author of numerous books, including The Highwaymen: Florida’s African-American Landscape Painters, The Highwaymen Murals: Al Black’s Concrete Dreams, and Harold Newton: The Original Highwayman Harold Newton The Highwaymen The Original Highwayman.

 

 

 

 

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Brave New World Revisited by Aldous Huxley. New York. 1958. Harper & Brothers. hardcover. 147 pages.

 

 

brave new world revisitedFROM THE PUBLISHER -

 

 

   BRAVE NEW WORLD REVISITED is not fiction. It is a shocking, yet calm, estimate of what has been done (since the publication of BRAVE NEW WORLD in 1932), what is being done and what may very soon be done to turn men into compliant robots. The enemies of freedom are subtle, often unobserved, and far more numerous than we suppose. Mr. Huxley reveals them with the lucidity and scientific insight for which he is famous. With overpowering impact, the book is a challenge to complacency and a plea that mankind should educate itself in freedom before it is too late.

 

 

 

Huxley AldousAldous Huxley was born on 26th July 1894 near Godalming, Surrey. He began writing poetry and short stories in his early twenties, but it was his first novel, CROME YELLOW (1921), which established his literary reputation. This was swiftly followed by ANTIC HAY (1923), THOSE BARREN LEAVES (1925) and POINT COUNTER POINT (1928) - bright, brilliant satires in which Huxley wittily but ruthlessly passed judgment on the shortcomings of contemporary society. For most of the 1920s Huxley lived in Italy and an account of his experiences there can be found in ALONG THE ROAD (1925). The great novels of ideas, including his most famous work BRAVE NEW WORLD (published in 1932 this warned against the dehumanizing aspects of scientific and material 'progress') and the pacifist novel EYELESS IN GAZA (1936) were accompanied by a series of wise and brilliant essays, collected in volume form under titles such as MUSIC AT NIGHT (1931) and ENDS AND MEANS (1937). In 1937, at the height of his fame, Huxley left Europe to live in California, working for a time as a screenwriter in Hollywood. As the West braced itself for war, Huxley came increasingly to believe that the key to solving the world's problems lay in changing the individual through mystical enlightenment. The exploration of the inner life through mysticism and hallucinogenic drugs was to dominate his work for the rest of his life. His beliefs found expression in both fiction (TIME MUST HAVE A STOP, 1944 and ISLAND, 1962) and non-fiction (THE PERENNIAL PHILOSOPHY, 1945, GREY EMINENCE, 1941 and the famous account of his first mescalin experience, THE DOORS OF PERCEPTION, 1954. Huxley died in California on 22nd November 1963.

 

 

 

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New Maps Of Hell: A Survey Of Science Fiction by Kingsley Amis. New York. 1960. Harcourt Brace & Company. hardcover. 161 pages. 

 

 

FROMnew maps of hell THE PUBLISHER -

 

 

   In this hilarious, inspiring and provocative series of essays, Kingsley Amis introduces every reader to the wonders and value of science fiction writing. He surveys the magnificent panorama of this world of fact and fantasy, of Jules Verne and H G Wells, of madly ingenious inventions and cosmic disaster, of bug-eyed monsters and credible human experiments, of revolutionary inventions and awesome transformations, of exploration of the outer reaches of space, and of strange worlds within the universe. New Maps of Hell is a warm and witty exploration of a world many readers may be yet to discover.

 

 

Amis KingsleyKingsley Amis was born in South London in 1922 and was educated at the City of London School and at St John’s College, Oxford, of which he is an Honorary Fellow. Between 1949 and 1963 he taught at the University College of Swansea, Princeton University and Peterhouse, Cambridge. He started his career as a poet and has continued to write in that medium ever since. His novels include LUCKY JIM (1954). TAKE A GIRL LIKE YOU (1960), THE ANTI-DEATH LEAGUE (1966), ENDING UP (1974), THE ALTERATION (1976), JAKE’S THING (1978) and STANLEY AND THE WOMEN (1984). His novel, THE OLD DEVILS, won the Booker Prize for Fiction in 1986. Among his other publications are NEW MAPS OF HELL, a survey of science fiction (1960), RUDYARD KIPLING AND HIS WORLD (1975) and THE GOLDEN AGE OF SCIENCE FICTION (1981). He published his COLLECTED POEMS in 1979, and has also edited THE NEW OXFORD BOOK OF LIGHT VERSE and THE FABER POPULAR RECITER. Kingsley Amis was awarded the CBE in 1981.

 

 

 

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The Golden Age Of Science Fiction by Kingsley Amis (editor). London. 1981. Hutchinson & Company. hardcover. 370 pages. 009145770x.

 

 

009145770xFROM THE PUBLISHER -

 

 

   An anthology of science fiction short stories by Anthony Boucher, Philip Latham, Frederick Pohl, Brian W. Aldiss, James Blish, Kurt Vonnegut, J. G. Ballard, Robert Sheckley, H. Beam Piper, Cordwainer Smith, Arthur C. Clarke, Harry Harrison, Damon Knight, Isaac Asimov, F. L. Wallace, Jerome Bixby, Poul Anderson. Kingsley Amis locates "the golden age of science fiction" somewhere between its flowering in the late 40s and the lapse into self-consciousness in the early 60s. The stories in this anthology, which includes most of the greatest names in science fiction, come from the years 1949-62. They offer an astonishingly varied range, but all of them illustrate Amis's summing up of the achievements of the ‘golden age’: In the words of Kingsley Amis, ‘what they wrote was far more inventive, more fictional, fictitious, fictive than any other kind of fiction.’

 

 

Amis KingsleyKingsley Amis was born in South London in 1922 and was educated at the City of London School and at St John’s College, Oxford, of which he is an Honorary Fellow. Between 1949 and 1963 he taught at the University College of Swansea, Princeton University and Peterhouse, Cambridge. He started his career as a poet and has continued to write in that medium ever since. His novels include LUCKY JIM (1954). TAKE A GIRL LIKE YOU (1960), THE ANTI-DEATH LEAGUE (1966), ENDING UP (1974), THE ALTERATION (1976), JAKE’S THING (1978) and STANLEY AND THE WOMEN (1984). His novel, THE OLD DEVILS, won the Booker Prize for Fiction in 1986. Among his other publications are NEW MAPS OF HELL, a survey of science fiction (1960), RUDYARD KIPLING AND HIS WORLD (1975) and THE GOLDEN AGE OF SCIENCE FICTION (1981). He published his COLLECTED POEMS in 1979, and has also edited THE NEW OXFORD BOOK OF LIGHT VERSE and THE FABER POPULAR RECITER. Kingsley Amis was awarded the CBE in 1981.

 

 

 

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Spectrum V: A Fifth S. F. Anthology by Kingsley Amis and Robert Conquest (editors). London. 1966. Gollancz. hardcover. 272 pages. 

 

 

spectrum vFROM THE PUBLISHER -

 

 

   The SPECTRUM science fiction anthologies edited by Kingsley Amis and Robert Conquest have been hailed, one after another, as being unquestionably at the top of their class. Appealing both to the regular science fiction addict and also to the casual reader, this new collection, the fifth in the series, presents a cross-section of science-fiction ideas to tickle and stimulate every palate. The eight stories deal, amongst other things, with how humanity can graduate into Galactic society; why 28 days on the Moon can change entirely a spaceman’s fundamental concept of life; how strange plants on a distant planet reproduce; and how, scientifically, the impossible can be achieved in about two weeks! The authors are F. L. Wallace; Walter M. Miller; Raymond F. Jones; James H. Schmitz; Tom Godwin; Theodore L. Thomas; Paul Ash and Richard Ashby. As usual, Amis and Conquest have started the Anthology with a provoking commentary on science fiction as a genre and, as in previous books in the series, nearly every story is published here for the first time in volume form.

 

 

 

Amis Kingsley and Conquest Robert

Kingsley Amis (1922-1995) was born in South London in 1922 and was educated at the City of London School and at St John’s College, Oxford, of which he is an Honorary Fellow. Between 1949 and 1963 he taught at the University College of Swansea, Princeton University and Peterhouse, Cambridge. He started his career as a poet and has continued to write in that medium ever since. His novels include LUCKY JIM (1954). TAKE A GIRL LIKE YOU (1960), THE ANTI-DEATH LEAGUE (1966), ENDING UP (1974), THE ALTERATION (1976), JAKE’S THING (1978) and STANLEY AND THE WOMEN (1984). His novel, THE OLD DEVILS, won the Booker Prize for Fiction in 1986. Among his other publications are NEW MAPS OF HELL, a survey of science fiction (1960), RUDYARD KIPLING AND HIS WORLD (1975) and THE GOLDEN AGE OF SCIENCE FICTION (1981). He published his COLLECTED POEMS in 1979, and has also edited THE NEW OXFORD BOOK OF LIGHT VERSE and THE FABER POPULAR RECITER. George Robert Acworth Conquest, (15 July 1917 – 3 August 2015) known as Robert Conquest - was an Anglo-American historian and poet best known for his influential works of Soviet history which include The Great Terror: Stalin’s Purges of the 1930s (1968, 4th ed., 2008). He was a research fellow at Stanford University's Hoover Institution.

 

 

 

 

 

 

 

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My Enemy's Enemy by Kingsley Amis. New York. 1963. Harcourt Brace & World. hardcover. 224 pages. Jacket design by Paul Bacon Studios. 

 

my enemys enemyFROM THE PUBLISHER -

 

 

 

   There are surprises in this first collection of stories by one of the most prominent members of England’s new generation of writers. Satire is here, along with characteristically apt and original turns of phrase, but the tone is more sober than that in any of Kingsley Amis’s four novels, and we discover fresh aspects of a talent that until now has seemed predominantly comic. The closing phases of the war in Europe provide a background for two short stories and a novella about a Corps of Signals company in Belgium, which dramatize with acerb irony the dismay felt by adherents of the old order as a radically different England begins to emerge from the conflict. There are other ironies in three contrasting stories set in postwar England: sad and wry in an account of strife between a sluttish young woman and a detestable social worker; gentler in a swift sketch portraying a girl of eighteen on her first date with an office superior; overtly compassionate in a substantial and beautifully modulated tale about a man in his sixties who discovers fresh truths about himself and human nature in general when he attends the funeral of the woman he has loved. The final story, in which an aficionado of science fiction successfully tries his own hand at that mode, brings to a subtly disturbing close a volume of uncommon interest and variety.

 

 

Amis KingsleyKingsley Amis was born in South London in 1922 and was educated at the City of London School and at St John’s College, Oxford, of which he is an Honorary Fellow. Between 1949 and 1963 he taught at the University College of Swansea, Princeton University and Peterhouse, Cambridge. He started his career as a poet and has continued to write in that medium ever since. His novels include LUCKY JIM (1954). TAKE A GIRL LIKE YOU (1960), THE ANTI-DEATH LEAGUE (1966), ENDING UP (1974), THE ALTERATION (1976), JAKE’S THING (1978) and STANLEY AND THE WOMEN (1984). His novel, THE OLD DEVILS, won the Booker Prize for Fiction in 1986. Among his other publications are NEW MAPS OF HELL, a survey of science fiction (1960), RUDYARD KIPLING AND HIS WORLD (1975) and THE GOLDEN AGE OF SCIENCE FICTION (1981). He published his COLLECTED POEMS in 1979, and has also edited THE NEW OXFORD BOOK OF LIGHT VERSE and THE FABER POPULAR RECITER. Kingsley Amis was awarded the CBE in 1981.

 

 

 

 

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The Divine Comedy by Dante Alighieri. New York. 1977. Norton. hardcover. 602 pages. Painting by Domenica di Michelino, ‘Dante and His Poem’ (detail). Jacket design by Mike McIver. Translated by John Ciardi. 0393044726.

 

 

0393044726FROM THE PUBLISHER -

 

 

   This brilliant, standard translation of one of the great classics of Western literature is now made available in a single-volume hardcover edition, for the first time complete and in final form. Although Dante is one of the two who 'divide the world between them,' the world had to wait until now for a truly accessible translation of Dante into spoken English. Archibald MacLeish describes Ciardi's version as 'a text with the clarity and sobriety of a first-rate prose translation wich at the same time suggests in powerful and unmistakable ways the run and rhythm of the great original, 'a spectacular achievement.'

 

 

Dante AlighieriDurante degli Alighieri (Dante 1265–1321), was a major Italian poet of the Middle Ages. His Divine Comedy, originally called Comedìa and later called Divina by Boccaccio, is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature. In Italy he is called il Sommo Poeta (‘the Supreme Poet’) and il Poeta. He, Petrarch, and Boccaccio are also called ‘the three fountains’ and ‘the three crowns’. Dante is also called ‘the Father of the Italian language.’

 

 

 

Ciardi JohnPoet, educator, critic, John Ciardi has won countless awards, much praise, and a strong following for his own poetry. He was the poetry editor of the Saturday Review for sixteen years, director of the Bread Loaf Writers' Conference for seventeen years, and an essayist of both wit and powerful insight.

 

 

 

 

 

 

 

 

 

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We Sell Drugs: The Alchemy of US Empire by Suzanna Reiss. Berkeley. University of California Press. paperback. 330 pages. August 2014. American Crossroads, 39. 6 x 9. 1 map, 12 images. 9780520280786.

 

 

FROM THE PUBLISHER -9780520280786

 

 

   This history of U.S.-led international drug control provides new perspective on the economic, ideological, and political foundations of a Cold War American empire. We Sell Drugs is grounded in the transnational geography and political economy of the coca leaf and coca-derived commodities market stretching to the U.S. from Peru and Bolivia. Coca was one of two seminal substances in international drug control. More than a narrow account of the biography of a famous plant and its equally famous derivative products—Coca-Cola and cocaine—Suzanna Reiss situates these commodities within a landscape of drug production and consumption. Examining efforts to control the circuits through which coca traveled, Reiss provides a geographic and legal anchor for considering the historical construction of designations of legality and illegality. The book also argues that the legal status of any given drug is premised on who grew, manufactured, distributed, and consumed it and not on the qualities of theReiss Suzanna drug itself. Drug control is part of a powerful toolbox for ordering international trade, national economies, and society’s habits and daily lives. In a historical landscape animated by struggles over political economy, national autonomy, colonialism, and racial equality, We Sell Drugs insists on the socio-historical underpinnings of designations of legality to explore how drug control became a weapon for ordering domestic and international affairs.

 

Suzanna Reiss is assistant professor of history at the University of Hawai’i Manoa.

 

 

 

 

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  • Walker, David. David Walker's Appeal to the Coloured Citizens of the World

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    Walker, David. David Walker's Appeal to the Coloured Citizens of the World Walker, David. David Walker's Appeal to the Coloured Citizens of the World. University Park. 2000. Penn State University Press. 9780271019949. Edited, with an introduction and annotations by Peter P. Hinks. 5 x 8.5. 2 illustrations. 184 pages. paperback.   FROM THE PUBLISHER - In 1829 David Walker, a free black born in Wilmington, North Carolina, wrote one of America’s most provocative politicaldocuments of the nineteenth[…]

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  • Dumas, Henry. Jonoah & the Green Stone

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    Dumas, Henry. Jonoah & the Green Stone Dumas, Henry. Jonoah & the Green Stone. New York. 1976. Random House. 0394497910. 170 pages. hardcover. Jacket design by Mike Stromberg.  FROM THE PUBLISHER - Henry Dumas was a first-rate writer with first-order intelligence. The publication of his short stories, ARK OF BONES, and poetry, PLAY EBONY PLAY IVORY, was received with spectacular acclaim. Now a novel has been discovered that will satisfy the appetites[…]

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  • Uwagba, Otegha. Whites: On Race and Other Falsehoods

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    Uwagba, Otegha. Whites: On Race and Other Falsehoods Uwagba, Otegha. Whites: On Race and Other Falsehoods. London. 2020. 4th Estate. 9780008440428. 71 pages. paperback.  FROM THE PUBLISHER - In this powerful and timely personal essay, best-selling author Otegha Uwagba reflects on racism, whiteness, and the mental labour required of Black people to navigate relationships with white people. Presented as a record of Uwagba's observations on this era-defining moment in history - that is,[…]

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  • Davies, Carole Boyce. Left of Karl Marx: The Political Life of Black Communist Claudia Jones

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    Davies, Carole Boyce. Left of Karl Marx: The Political Life of Black Communist Claudia Jones Davies, Carole Boyce. Left of Karl Marx: The Political Life of Black Communist Claudia Jones. Durham. 2008. Duke University Press. 9780822341161. 311 pages. paperback. Cover photograph - Claudia Jones in 1948.  FROM THE PUBLISHER - In LEFT OF KARL MARX, Carole Boyce Davies assesses the activism, writing, and legacy of Claudia Jones (1915-1964), a pioneering Afro-Caribbean radical intellectual, dedicated communist, and feminist. Jones is buried[…]

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  • Painter, Nell Irvin. The History of White People

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    Painter, Nell Irvin. The History of White People Painter, Nell Irvin. The History of White People. New York. 2010. Norton. 9780393049343. 496 pages. hardcover. Cover design by Keenan.  FROM THE PUBLISHER - A mind-expanding and myth-destroying exploration of notions of white race - not merely a skin color but also a signal of power, prestige, and beauty to be withheld and granted selectively. Our story begins in Greek and Roman antiquity, where the[…]

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