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  • George Schuyler: An Afrofuturist Before His Time
    What unsettled me about Black No More (1931) the first time I read it was that George Schuyler was so merciless—about everyone. At a moment when black writers were finally awakening to the beauty of black culture, Schuyler had moved on to...
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  • Where the Lemon Trees Bloom
    To the Editors: In his review of Rüdiger Safranski’s Goethe: Life as a Work of Art [“Super Goethe,” NYR, December 21, 2017], Ferdinand Mount concludes: When [Goethe] finally made his long-dreamed-of trip to Italy, he remained impervious to the...
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  • Lend Me Your Ear
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  • ‘Dignity and Justice’: An Interview with Patrisse Khan-Cullors
    Patrisse Khan-Cullors: Over the last four and half years, we’ve seen BLM go from a phrase to a hashtag to a political platform to a movement. In the development of Black Lives Matter, we’ve seen the growth of black leadership and the rise...
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Neglectedbooks.com

The Neglected Books Page

www.NeglectedBooks.com: Where forgotten books are remembered
  • Free E-books of Dorothy Richardson’s Pilgrimage — and a technical note

    Almost two years ago, I embarked upon my most ambitious and, it turned out, most rewarding reading task, working through the thirteen books of Dorothy Richardson’s Pilgrimage. (Richardson referred to it as a single novel and each book as a chapter.) At the time I wrote: … while a complete scholarly edition of Richardson’s work... Read more

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  • The Collected Stories of Rhys Davies (1955)

    We spent our Christmas week in a cottage in north Wales and I could not pass the time without taking the opportunity to read a long out-of-print collection of stories by one of Wales’ finest writers of the 20th century, Rhys Davies. The Collected Stories of Rhys Davies is one of the many perhaps not... Read more

    The post The Collected Stories of Rhys

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  • Chrstimas Eve, by Alistair Cooke (1952)

    Christmas Eve collects three of Alistair Cooke’s Christmas-time stories from his legendary BBC “Letters from America” broadcast. I listened to the audiobook version of the collection, Letters from America, 1946-1004, recently, and saddened at the thought that his sublimely calm, balanced voice is no longer with us. But this last year would surely have been... Read more

    The post ...

  • The Collected Stories of T. O. Beachcroft (1946)

    The Collected Stories of T. O. Beachcroft Graham Greene once wrote that T. O. (Thomas Owen) Beachcroft was “likely to become, after Mr. H. E. Bates, the most distinguished short-story writer in this country.” Well, this wasn’t one of his best predictions. Beachcroft’s last collection of stories was published over sixty years ago and his... Read more

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  • Tomato Cain and Other Stories, by Nigel Kneale (1949)

    Nigel Kneale is best known now for his novels and screenplays featuring the alien-battling scientist, Dr. Quartermass, but his first book, the collection Tomato Cain and Other Stories was considered remarkable enough to merit a foreword by Elizabeth Bowen: Within the last few years, readers have become less shy of the short story. That this... Read more

    The post ...

  • Selected Modern Short Stories, edited by Alan Steele (1937)

    Selected Modern Short Stories–the first of several collections that editor Alan Steele compiled for Penguin in the late 1930s–offers a good illustration of the random nature of literary fate. Let’s take at look at the authors listed on the cover: • John Hampson Hampson’s first-published novel, Saturday Night at the Greyhound (1931) was a surprise... Read more

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  • The Door in the Wall, by Oliver La Farge (1966)

    I picked out a yellow-jacketed copy of Oliver La Farge’s posthumous collection of short stories, The Door in the Wall, from a striking display in the window of Any Amount of Books, one of the few remaining used bookstores on Charing Cross Road, when in London recently. I’ve never learned just why so many British... Read more

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  • Private Opinion: A Commonplace-Book, by Alan Pryce-Jones (1936)

    There isn’t necessarily a template for a commonplace book, which Webster’s defines as “a book of memorabilia” and Wikipedia as “essentially a scrapbook.” But even if there were one, Alan Pryce-Jones’ Private Opinion wouldn’t follow it. Pryce-Jones, who is probably best known for editing the Time Literary Supplement from 1948 to 1959, was a precocious... Read more

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  • Rope Dancer, by M. J. Fitzgerald (1986)

    Many of the stories in M. J. Fitzgerald’s collection, Rope Dancer, read like unsettling dreams: vivid enough to provoke deep feelings but too full of bizarre, illogical transitions and events to be part of waking life. In “Mystery Story,” a woman finds herself returned, again and again, to the compartment of a passenger train, where... Read more

    The post ...

  • Croatian Tales of Long Ago, by Ivana Brlić-Mažuranić (1922)

    One day late, but in keeping with the spirit of Halloween, which reminds us each year of the didactic benefits of scaring the crap out of kids, I want to celebrate a fine example of fairy tales told with the gloves off. As Bruno Bettelheim (perhaps somewhat plagiaristically) reminded us, uniformly pleasant and positive stories... Read more

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Islandia: A Poem by Maria Negroni. Barrytown. 2001. Station Hill Press/Barrytown Ltd. Translated from the Spanish by Anne Twitty. Bilingual Edition. 171 pages. paperback. 1886449155.

FROM THE PUBLISHER -

 ‘Islandia is an extraordinary cycle of poems written in two very different and contrasting forms - the Nordic, masculine, epic style of the prose poems, and the Mediterranean, feminine, mannered lyric style of the others. Anne Twitty’s translation of this masterful cycle has itself been carried out with great mastery.’ - Esther Allen, translator of Octavio Paz, Rosario Castellanos, and Jorge Luis Borges. ‘The saga of Scandinavians, who - in flight or exile - founded Islandia, is counterpointed by the ironic verses of a female speaker who is also a shipwreck, a fugitive, and a seeker-inventor of islands. In this work, destinies cross—that of vehement navigators among the whales and mists, and that of a writer who, telling the saga of others, assumes and discards a sumptuous mask.’ - Julio E. Miranda, Domingo Hoy, Caracas. ‘With remarkable beauty, a major poet deciphers a landscape and a language embedded in the most profound Latin American tradition.’ - Tomás Eloy MartInez, author of Santa Evita. ‘A female voice brilliantly deconstructs the masculine constellation: epic/adventure/war. A severely wrought patina makes for a sense of excavation, out of which rises a different, female, spirit of adventure. In the words of the H.D. epigraph: ‘We are discoverers / of the not-known / the unrecorded; we have no maps.’ - Rosmarie Waidrop, author of The Reproduction of Profiles. ‘It is not easy to find a form for journey… for there is no poetry without cost.’ So say the ongoing voices in Maria Negroni’s remarkable and innovative book-length poem. It is a compelling work, deftly connecting embodied experience to history and a cornucopia of language.’ - Sophie Cabot Black, author of The Misunderstanding of Nature.

 

 María Negroni was born October 9, 1951 in Rosario, Argentina. She has published eleven books of poetry, three collections of essays, and two novels, as well as works in translation from French and English. Her work has appeared internationally in literary journals, including Diario de Poesía, Página 12, The Paris Review, Circumference, and Bomb, among others. She has been awarded two Argentine National Book Awards, for her collection of essays Ciudad Gótica (1996) and her poetry collection Viaje de la noche (1997). Her book of poems Islandia, in Anne Twitty’s translation, received a PEN Translation Award in 2001. She has been a recipient of fellowships from the Guggenheim Foundation, the Rockefeller Foundation, Fundación Octavio Paz, the New York Foundation for the Arts, and others. She teaches at Sarah Lawrence College. Winner of the following awards - International Prize for Essay Writing from Siglo XXI, 2002 PEN Award for best book of poetry in translation, for Islandia, 2000-2001 Octavio Paz Fellowship for Poetry, 1997 Argentine National Book Award, for El viaje de la noche, 1994 Guggenheim Fellowships. Anne Twitty is a writer, interpreter and translator who lives in New York City. She was for some years editor of the Epicycle section of Parabola Magazine, where some of her essays were published. Anne Twitty’s translations of selections from Maria Negroni’s works have appeared in Hopscotch, Mandorla, The Paris Review and on-line at www.archipelago.org. Her translation of Night Journey (El viaje de la noché) appeared in a bilingual edition published by Princeton University Press in 2002. 

 

 

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