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  • The Books We Don’t Understand
    What is going on when a book simply makes no sense to you? Perhaps a classic that everyone praises. Or something new you’re being asked to review. I don’t mean that you find the style tiresome, or the going slow; simply that the characters, their...
  • Ending at the Beginning
    For a person as sensitive as Kafka was, or at least as he presented himself as being—it is entirely possible to view his life in a light other than the one he himself shone upon it—inner escape was the only available strategy. “If we are to believe...
  • The City Strikes a Pose
    Jamel Shabazz is a kind of anti-Walker Evans. Born in Brooklyn in 1960, he has documented New York street life, largely in the city’s black neighborhoods, with a cheerful guilelessness. A new collection of his work from his beginnings in 1980 to...
  • Trump’s Cruel Deportations
    A fair immigration system would consider family and community ties before ordering deportation, but US law generally ignores them, and Trump’s policies are taking this to new extremes. Congress also bears responsibility for its abject failure to...
  • Our Hackable Democracy
    The recent news that voting machines had been hacked for sport at the Def Con hackers’ conference, should not have been news at all. Since computerized voting was introduced more than two decades ago, it has been shown again and again to have...
  • The Terrorists Go Shopping
    A shabby-chic cadre of photogenic young Parisians coordinate a series of terrorist attacks, blowing up or setting fire to buildings and monuments throughout the city, then take refuge after nightfall in an empty department store....
  • Unruly and Unerring
    Roxane Gay is a writer of extreme empathy. Her fiction and essays elicit as much shared understanding as they give. Her new memoir, Hunger, is the story of being a physical woman in a physical world that has been shaped for so long by men....
  • Wagner on Trial
    In Barrie Kosky’s new production of Die Meistersinger, which opened the 2017 Bayreuth Festival, the musical cobbler Hans Sachs has been restyled as his creator Richard Wagner, isolated in the witness box at the Nuremberg Trials, and we the...
  • Fools, Cowards, or Criminals?
    Marcel Ophuls’s The Memory of Justice never suggests that Auschwitz and the My Lai massacre, or French torture prisons in Algiers, are equivalent, let alone that the Vietnam War was a criminal enterprise on the same level as the Holocaust....

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  • Four Short Short Stories from Lost Causes by José Leandro Urbina

    Portrait of a Lady In the light of dawn that filtered timidly through the window, she smoothed her dress carefully. One of her fingernails cleaned the others. She moistened her fingertips with saliva and smoothed her eyebrows. As she finished arranging her hair, she heard the jailers coming along the passage- way. In front of... Read more

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  • Selected Stories, by Frances Bellerby (1986)

    The fact that Frances Bellerby’s Selected Stories has been out of print for over thirty years now is literally a case of insult being added to injury. Having damaged her spine while walking along the Lulworth Cliffs on the Dorset coast in 1930, Bellerby spent the remaining forty-five years of her life in pain and... Read more

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  • No More Mimosa, by Ethel Mannin (1943)

    After writing a fairly disparaging piece about Ethel Mannin’s six volumes of memoirs two years ago, I wouldn’t have counted on finding her work on my reading list again. But then I read a thoughtful piece on her 1943 collection, No More Mimosa, originally printed in the December 2013 edition of the Bulletin of the... Read more

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  • Among the Dangs, by George P. Elliott (1961)

    I’ve never found anything written by George P. Elliott entirely satisfying–yet I keep coming back to his work. Considered a rising talent in the 1950s, when his short stories such as “The NRACP” and “Among the Dangs” began appearing in anthologies and to be mentioned as some of the more significant works in then-contemporary American... Read more

    The post ...

  • The Conspiracy and Other Stories, by Jaan Kross (1995)

    I recently had the chance to travel to Estonia for the first time, to attend a conference in Tallinn. In the spirit of this trip, then, I took along a copy of The Conspiracy, a collection of stories by one of the leading Estonian writers of the last 50 years, Jaan Kross. I was thoroughly... Read more

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  • The Russian-Estonians, from The Conspiracy and Other Stories, by Jaan Kross (1995)

    In a year such as 1947, a Russian-born Estonian was only a zemlyak, a compatriot of mine, to a most problematical degree. Such trusties with their partly, or wholly, unidiomatic phrases, their doubting and distrustful eyes who had, since the war, seeped into the university, from the dean of faculty right down to posts among... Read more

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  • Cold Tales, by Virgilio Piñera (1988)

    In “The Fall”, the first story in Virgilio Piñera’s collection, Cold Tales (Cuentos Frios), the leader of two mountaineers climbing a peak slips and falls. The fall pulls his partner down after him, and the two plummet, topsy-turvy, down the mountainside, colliding into rocky outcrops and losing limbs along the way. By the end, all... Read more

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  • An Anonymous Book, from Progress of Stories, by Laura Riding

    An anonymous book for children only was published by an anonymous publisher and anonymously praised in an anonymous journal. Moreover, it imitated variously the style of each of the known writers of the time, and this made the responsibility for its authorship all the more impossible to place. For none of the known writers could... Read more

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  • The Sex Without the Sentiment, by Thyra Samter Winslow (1957)

    When I reviewed Thyra Samter Wilson’s first short story collection, Picture Frames, I wrote that there was “No room for nostalgia in this tough cookie’s heart.” In the thirty-plus years that separated Picture Frames from her last collection, The Sex Without Sentiment, Winslow seems to have squeezed a little in. But as her title proclaims,... Read more

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  • Progress of Stories, by Laura Riding (1935; 1971; 1982)

    Laura Riding’s Progress of Stories is something of a litmus test for readers. For some, it is a neglected masterpiece, a revolutionary work in the development of fiction, a book like no other. For others, it a book like no other … in its pretentiousness, its relentless interruptions to remind the reader that he/she is... Read more

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(04/15/2015) Islandia: A Poem by Maria Negroni. Barrytown. 2001. Station Hill Press/Barrytown Ltd. Translated from the Spanish by Anne Twitty. Bilingual Edition. 171 pages. paperback. 1886449155.

FROM THE PUBLISHER -

 ‘Islandia is an extraordinary cycle of poems written in two very different and contrasting forms - the Nordic, masculine, epic style of the prose poems, and the Mediterranean, feminine, mannered lyric style of the others. Anne Twitty’s translation of this masterful cycle has itself been carried out with great mastery.’ - Esther Allen, translator of Octavio Paz, Rosario Castellanos, and Jorge Luis Borges. ‘The saga of Scandinavians, who - in flight or exile - founded Islandia, is counterpointed by the ironic verses of a female speaker who is also a shipwreck, a fugitive, and a seeker-inventor of islands. In this work, destinies cross—that of vehement navigators among the whales and mists, and that of a writer who, telling the saga of others, assumes and discards a sumptuous mask.’ - Julio E. Miranda, Domingo Hoy, Caracas. ‘With remarkable beauty, a major poet deciphers a landscape and a language embedded in the most profound Latin American tradition.’ - Tomás Eloy MartInez, author of Santa Evita. ‘A female voice brilliantly deconstructs the masculine constellation: epic/adventure/war. A severely wrought patina makes for a sense of excavation, out of which rises a different, female, spirit of adventure. In the words of the H.D. epigraph: ‘We are discoverers / of the not-known / the unrecorded; we have no maps.’ - Rosmarie Waidrop, author of The Reproduction of Profiles. ‘It is not easy to find a form for journey… for there is no poetry without cost.’ So say the ongoing voices in Maria Negroni’s remarkable and innovative book-length poem. It is a compelling work, deftly connecting embodied experience to history and a cornucopia of language.’ - Sophie Cabot Black, author of The Misunderstanding of Nature.

 

 María Negroni was born October 9, 1951 in Rosario, Argentina. She has published eleven books of poetry, three collections of essays, and two novels, as well as works in translation from French and English. Her work has appeared internationally in literary journals, including Diario de Poesía, Página 12, The Paris Review, Circumference, and Bomb, among others. She has been awarded two Argentine National Book Awards, for her collection of essays Ciudad Gótica (1996) and her poetry collection Viaje de la noche (1997). Her book of poems Islandia, in Anne Twitty’s translation, received a PEN Translation Award in 2001. She has been a recipient of fellowships from the Guggenheim Foundation, the Rockefeller Foundation, Fundación Octavio Paz, the New York Foundation for the Arts, and others. She teaches at Sarah Lawrence College. Winner of the following awards - International Prize for Essay Writing from Siglo XXI, 2002 PEN Award for best book of poetry in translation, for Islandia, 2000-2001 Octavio Paz Fellowship for Poetry, 1997 Argentine National Book Award, for El viaje de la noche, 1994 Guggenheim Fellowships. Anne Twitty is a writer, interpreter and translator who lives in New York City. She was for some years editor of the Epicycle section of Parabola Magazine, where some of her essays were published. Anne Twitty’s translations of selections from Maria Negroni’s works have appeared in Hopscotch, Mandorla, The Paris Review and on-line at www.archipelago.org. Her translation of Night Journey (El viaje de la noché) appeared in a bilingual edition published by Princeton University Press in 2002. 

 

 

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