Search

New York Review of Books

The New York Review of Books

Recent items from nybooks.com
  • Puerto Rico’s DIY Disaster Relief
    Two weeks after Hurricane Maria hit, aid remained a bureaucratic quagmire, mismanaged by FEMA, the FBI, the US military, the laughably corrupt local government. The island looked like it was stuck somewhere between the nineteenth century and the...
  • What’s in a T-Shirt?
    MoMA's “Items: Is Fashion Modern?” refers less to a period of time than to a way of relating to time itself—of dealing with and mingling the past, present, and future. The show features items that have been invented anew, used for present needs, or...
  • Norwegian Woods
    Edvard Munch was never simply a Norwegian artist. His appeal, like his own life, has always been both local and cosmopolitan at the same time. He may be best known internationally for his anguished paintings of the 1890s, especially for the group...
  • Russia’s Gay Demons
    Early in Vladimir Putin’s first presidency I spoke to a Moscow banker, with reason to care on this point, who said he detected no trace of anti-Semitism in Putin personally, but that Putin would encourage popular anti-Semitism in a second if he...
  • Year One: Trump’s Foreign Affairs
    Until a year ago, the US was setting a lead of a very different sort. America’s first black president seemed about to make way for the first woman president. Once again, the US was offering an example to the world, affording a glimpse of what...
  • Marseus in the Land of Snakes
    No one quite knows what led Otto Marseus van Schrieck to the invention of the sottobosco, but it was certainly in the spirit of the times. Born around 1620, Marseus grew up amid the great scientific flourishing of the seventeenth century. This...
  • Year One: Stress Testing the Constitution
    Trump’s lawyers deny that the president’s continued receipt of business from foreign, federal, and state governments violates the Constitution. They may be right. And it may be difficult to persuade a court that anyone has standing—the appropriate...
  • Year One: Rhetoric & Responsibility
    The Trump problem is probably somewhat self-limiting, he and his ilk being so very strange. But there are older, deeper problems. A substantial part of the American public seems to have lost interest in ideas, therefore in substantive controversy....
  • Tove Jansson: Beyond the Moomins?
    For anyone familiar with Tove Jansson from the Moomins alone, the most surprising works in the exhibition—which aims to rectify the fact that less attention has generally been paid to her range as a visual artist—will be her early self-portraits...

Neglectedbooks.com

The Neglected Books Page

www.NeglectedBooks.com: Where forgotten books are remembered
  • Rope Dancer, by M. J. Fitzgerald (1986)

    Many of the stories in M. J. Fitzgerald’s collection, Rope Dancer, read like unsettling dreams: vivid enough to provoke deep feelings but too full of bizarre, illogical transitions and events to be part of waking life. In “Mystery Story,” a woman finds herself returned, again and again, to the compartment of a passenger train, where... Read more

    The post ...

  • Croatian Tales of Long Ago, by Ivana Brlić-Mažuranić (1922)

    One day late, but in keeping with the spirit of Halloween, which reminds us each year of the didactic benefits of scaring the crap out of kids, I want to celebrate a fine example of fairy tales told with the gloves off. As Bruno Bettelheim (perhaps somewhat plagiaristically) reminded us, uniformly pleasant and positive stories... Read more

    The post Croatian

    ...
  • “In Sleep,” by Robert Kotlowitz (1954)

    In Sleep What do I see in my sleep? A steady seepage of life in dreams that are of no use to a practical body. I awake like you, sapped by a watchful reality, defined by a soft-boiled egg. Today’s newspaper tucked under my arm, swats invisible enemies on the fleeing subway. Time, then, is... Read more

    The post “In Sleep,” by Robert Kotlowitz

    ...
  • The Smoking Mountain, by Kay Boyle (1951; 1963)

    In 1948, the American writer Kay Boyle left France, where she had spent most of the previous 25 years to live in Germany. Germany was then an occupied country, split between the Soviets, French, British, and Americans into four zones of military administration. Whether she was making amends for sitting out France’s own time of... Read more

    The post The

    ...
  • Discovery, a Paperback Magazine (1953-1955)

    During my annual pilgrimage to the Montana Valley Book Store, I decided to dig around in the anthologies section, a section I’ve always avoided before. I’ll admit to a bias for original sources over compilations, and I’ve rarely found a good reason to overcome it. But it was hot outside and cool in the basement... Read more

    The post ...

  • Selected Stories, by Martin Armstrong (1951)

    In his dictionary, Samuel Johnson defined craftsman as “”An artificer; a manufacturer; a mechanick.” When the first OED was published 150 years later, craftsman was still associated with assembly rather than creation: “A man who practices a handicraft; an artificer, artisan.” And even today, to refer to a writer as a craftsman is to assign... Read more

    The post ...

  • Vertical and Horizontal, by Lillian Ross (1963)

    Lillian Ross’s death at the venerable age of 99 has been widely noted, starting with Rebecca Mead’s obituary in Ross’s beloved The New Yorker. A number of her more successful books, including Portrait of Hemingway, have been reprinted in recent years and I suspect more will follow now. Less likely to be reissued is her... Read more

    The post ...

  • Thirty Years, by John P. Marquand (1954)

    The dust jacket of Marquand’s Thirty Years provides this unimpressive description of the book’s contents: “A collection of stories, articles and essays which have not previously appeared in book form.” Plenty of such collections have been published, but perhaps none other has been so honest in acknowledging the flimsy rationale for its existence. Little, Brown,... Read more

    The post ...

  • The Strangers Were There: Selected Stories by John Bell Clayton (1957)

    With Charlottesville, Virginia and its statue of General Robert E. Lee in the news, it’s worth taking a moment to note a long-forgotten collection of short stories set in and around the town. John Bell Clayton’s The Strangers Were There (1957), published posthumously, earned mildly reviews and quickly disappeared, but it remains perhaps the most... Read more

    The post ...

  • The Third Reich of Dreams, by Charlotte Beradt (1968)

    Robert Ley, head of the German Labour Front under Hitler, once said, “The only person in Germany who still leads a private life is the person who sleeps.” In The Third Reich of Dreams, Charlotte Beradt proves that Ley underestimated the power of his own regime over the people’s unconscious. Working quietly and covertly, through... Read more

    The post ...

Subscribe to our Newsletter!

Receive

(04/04/2015) Against Nature by Joris-Karl Huysmans. Baltimore. 1959. Penguin Books. A new translation from the French by Robert Baldick. With An Introduction by Robert Baldick. 220 pages. L86. paperback.

 

FROM THE PUBLISHER -

 

penguin against nature l86   First published in 1884, Huysmans’ A Rebours caused a sensation. Oscar Wilde made it a textbook for Dorian Gray, observing: ‘It was the strangest book that he had ever read’. The novel recounts the exotic practices and perverse pleasures of Due Jean Floressas des Esseintes, a wealthy aesthete in search of an elusive ideal. In his neurotic sensibility, his passion for novelty, Des Esseintes foreshadows every unhappy, solitary hero of the twentieth century; he epitomizes the spiritual anguish of modern times. Robert Baldick’s translation preserves the richness and complexity of Huysmans’ style, making this unique work fascinating reading.

 

  Charles-Marie-Georges Huysmans (February 5, 1848 – May 12, 1907) was a French novelist who published his works as Joris-Karl Huysmans. He is most famous for the novel À rebours (1884, published in English as Against the Grain or Against Nature). He supported himself by a 30-year career in the French civil service. Huysmans' work is considered remarkable for its idiosyncratic use of the French language, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of Naturalism in literature, he became associated with the decadent movement with his publication of À rebours. His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer. In later years, his novels reflected his study of Catholicism, religious conversion, and becoming an oblate. He discussed the iconography of Christian architecture at length in La cathédrale (1898), set at Chartres and with its cathedral as the focus of the book. Là-bas (1891), En route (1895) and La cathédrale (1898) are a trilogy that feature Durtal, an autobiographical character whose spiritual progress is tracked and who converts to Catholicism. In the novel that follows, L'Oblat (1903), Durtal becomes an oblate in a monastery, as Huysmans himself was in the Benedictine Abbey at Ligugé, near Poitiers, in 1901. La cathédrale was his most commercially successful work. Its profits enabled Huysmans to retire from his civil service job and live on his royalties.

 

 

Check zenosbooks.com for either a used or a new copy of this book, or you can add it to your wishlist.