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Heavens on Earth by Carmen Boullosa. Dallas. 2017. Deep Vellum. 9781941920442. Translated from the Spanish by Shelby Vincent. 397 pages. paperback. Jacket design by annazylicz.com.

9781941920442 DESCRIPTION - From Carmen Boullosa, winner of Mexico's prestigious Xavier Villaurrutia Award, comes Heavens on Earth, a testament to the power of the written word in transcending political, racial, and cultural barriers to create and preserve history. Lear, officially known as 24, lives in L'Atlntide, a utopian post-apocalyptic society placing increasing limits on the use of language. Steadfast in her resistance to new regulations and pressure to conform, Lear continues to transcribe the writings of Don Hernando, a 16th century Indian priest, and of Estela in the 20th century, an early translator of Don Hernando's work. Though separated by time and space, Lear and Estela find strength in Hernando's words, ultimately rebelling against their respective societies in a struggle for remembrance. Cloud Atlas meets Savage Detectives in Carmen Boullosa's Heavens on Earth as three narratives thread together in a captivating exploration of memory, language, and humanity. Three narrators from different historical eras engage in preserving history in "Heavens on Earth." As her narrators sense each other and interact through time and space, Boullosa challenges the primacy of recorded history and asserts literature and language's power to transcend the barriers of time and space in vivid, urgent prose.

Boullosa Carmen AUTHOR BIOGRAPHY - Carmen Boullosa (born September 4, 1954 in Mexico City, Mexico) is a leading Mexican poet, novelist and playwright. Her work is eclectic and difficult to categorize, but it generally focuses on the issues of feminism and gender roles within a Latin American context. Her work has been praised by a number of prominent writers, including Carlos Fuentes, Alma Guillermoprieto and Elena Poniatowska, as well as publications such as Publishers Weekly. She has won a number of awards for her works, and has taught at universities such as Georgetown University, Columbia University and New York University (NYU), as well as at universities in nearly a dozen other countries. She is currently Distinguished Lecturer at the City College of New York. She has two children -- Maria Aura and Juan Aura -- with her former partner, Alejandro Aura --and is now married to Mike Wallace, the Pulitzer-prize winning co-author of Gotham: A History of New York City to 1898. Boullosa has written over a dozen novels, and some of these works have been translated into five different languages. Her bestselling novel, Son vacas, somos puercos (1991) was translated into English in 1997 as They're Cows, We're Pigs. The story is narrated in the first person by an old man looking back on his life. He was kidnapped and sent from his native France on a slave ship to the West Indies at the age of thirteen. To gain his freedom, he joins a group of pirates (or ‘pigs'), allowing Boullosa to compare two very different societal and political systems - traditional Europe and carefree pirates. In La milagrosa, a novel written in 1993, the protagonist is a girl who has the power to heal the sick and perform other miracles while she sleeps. She falls in love with Aurelio Jimenez, a detective sent to discredit her, even though she fears that her powers will disappear if she spends time with people. It ends ambiguously, leaving an unsolved murder without closure. Duerme, another popular work published in 1995, tells the story of Claire, a French woman whose mother was a prostitute. Attempting to escape the same profession, she arrives in Spain dressed as a man. To save a subject of the Spanish king, she reveals herself as a female and prepares to take his punishment of death by hanging. Beforehand, however, she is wounded in the left breast and her blood is replaced by water from the lakes of Mexico City. The water's magical powers make it possible for her to survive the punishment. She is also famous for her Teatro herEtico (1987), a compilation of three parodies in play format - Aura y las once mil vírgenes, Cocinar hombres, and Propusieron a María. The first tells the story of a man called by God to ‘deflower' eleven thousand virgins in his life, so that heaven's overpopulation problem might be addressed, since the women will have to wait in purgatory for a time. The man then uses his sexual encounters as material for his television commercials and becomes a successful advertising agent. Cocinar hombres tells the story of two girls who find themselves to have become young adult witches overnight, so as to fly over the earth tempting but not satisfying men. Finally, the third play satirically recounts the conversation between Joseph and Mary before Mary gives birth to Jesus and ascends to heaven.

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Rigadoon by Louis-Ferdinand Celine. New York. 1974. Delacorte Press. 0440073642. Translated from the French by Ralph Manheim. 273 pages. hardcover.

0440073642 DESCRIPTION - Completed the day before his death in 1961, Rigadoon, the most compassionate of Celine's novels, explores the ravages of war and its aftermath. Often comic and always angry, the first-person autobiographical narrator, with his wife and their cat in tow, takes the reader with him on his flight from Paris to Denmark after finding himself on the losing side of World War II. The train rides that encompass the novel are filled with madness and mercy, as Celine, a physician, aids refugees while ignoring his own medical needs.

Celine Louis Ferdinand AUTHOR BIOGRAPHY - Louis Ferdinand Auguste Destouches (27 May 1894 – 1 July 1961), better known by the pen name Louis-Ferdinand Céline was a French novelist, polemicist, and physician. His first novel Journey to the End of the Night (1932) won the Prix Renaudot but divided critics due to the author's pessimistic depiction of the human condition and his writing style based on working-class speech. In subsequent novels such as Death on the Installment Plan (1936), Guignol's Band (1944) and Castle to Castle (1957), Céline further developed an innovative and distinctive literary style. Maurice Nadeau wrote: "What Joyce did for the English language...what the surrealists attempted to do for the French language, Céline achieved effortlessly and on a vast scale." From 1937 Céline wrote a series of antisemitic polemical works in which he advocated a military alliance with Nazi Germany. He continued to publicly espouse antisemitic views during the German occupation of France, and after the Allied landing in Normandy in 1944, he fled to Germany and then Denmark where he lived in exile. He was convicted of collaboration by a French court in 1951 but was pardoned by a military tribunal soon after. He returned to France where he resumed his careers as a doctor and author.Louis Ferdinand Auguste Destouches (27 May 1894 – 1 July 1961), better known by the pen name Louis-Ferdinand Céline was a French novelist, polemicist, and physician. His first novel Journey to the End of the Night (1932) won the Prix Renaudot but divided critics due to the author's pessimistic depiction of the human condition and his writing style based on working-class speech. In subsequent novels such as Death on the Installment Plan (1936), Guignol's Band (1944) and Castle to Castle (1957), Céline further developed an innovative and distinctive literary style. Maurice Nadeau wrote: "What Joyce did for the English language...what the surrealists attempted to do for the French language, Céline achieved effortlessly and on a vast scale." From 1937 Céline wrote a series of antisemitic polemical works in which he advocated a military alliance with Nazi Germany. He continued to publicly espouse antisemitic views during the German occupation of France, and after the Allied landing in Normandy in 1944, he fled to Germany and then Denmark where he lived in exile. He was convicted of collaboration by a French court in 1951 but was pardoned by a military tribunal soon after. He returned to France where he resumed his careers as a doctor and author.Céline is widely considered to be one of the greatest French novelists of the 20th century, and his novels have had an enduring influence on later authors. However, he remains a controversial figure in France due to his antisemitism and activities during the Second World War.

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Martian Time-Slip by Philip K. Dick. New York. 1964. Ballantine Books. Paperback Original. 220 pages. paperback. U2191.

martian time slip ballantine u2191 DESCRIPTION - On the arid colony of Mars the only thing more precious than water may be a ten-year-old schizophrenic boy named Manfred Steiner. For although the UN has slated ‘anomalous' children for deportation and destruction, other people - especially Supreme Goodmember Arnie Kott of the Water Worker's union - suspect that Manfred's disorder may be a window into the future. In MARTIAN TIME-SLIP Philip K. Dick uses power politics and extraterrestrial real estate scams, adultery, and murder to penetrate the mysteries of being and time.

Dick Philip K Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American novelist, short story writer and essayist whose published work is almost entirely in the science fiction genre. Dick explored sociological, political and metaphysical themes in novels dominated by monopolistic corporations, authoritarian governments, and altered states. In his later works Dick's thematic focus strongly reflected his personal interest in metaphysics and theology. He often drew upon his own life experiences in addressing the nature of drug abuse, paranoia, schizophrenia, and transcendental experiences in novels such as A Scanner Darkly and VALIS. The novel The Man in the High Castle bridged the genres of alternate history and science fiction, earning Dick a Hugo Award for Best Novel in 1963. Flow My Tears, the Policeman Said, a novel about a celebrity who awakens in a parallel universe where he is unknown, won the John W. Campbell Memorial Award for best novel in 1975. ‘I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards,’ Dick wrote of these stories. ‘In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real.’ In addition to 44 published novels, Dick wrote approximately 121 short stories, most of which appeared in science fiction magazines during his lifetime. Although Dick spent most of his career as a writer in near-poverty, ten popular films based on his works have been produced, including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Paycheck, Next, Screamers, and The Adjustment Bureau. In 2005, Time magazine named Ubik one of the one hundred greatest English-language novels published since 1923. In 2007, Dick became the first science fiction writer to be included in The Library of America series.

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Time Out of Joint by Philip K. Dick. New York. 1965. Belmont Books. 175 pages. paperback. 92-618. Cover art by Beekman.

belmont time out of joint 92 618 DESCRIPTION - RAGLE GUMM was his name. He lived at his brother-in-law's house and people thought the way he earned his living was peculiar. You see he had a mathematical genius which he used to solve complicated puzzles appearing in each day's newspaper. Then, almost imperceptibly, one day his equations took over and started changing the natural order of things, until he, and everybody around him, was caught in a spinning, incredible vortex of fear, hate, greed and lust in a world where time was out of joint.

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Recoil by Jim Thompson. New York. 1953. Lion. 128 pages. paperback. 120.

lion recoil 120 1953 DESCRIPTION - A PAROLEE BREAKS LOOSE IN A CITY BEFOULED WITH DIRTY POLITICS AND DIRTIER LIVING... WHY? Pat Cosgrove was a man nobody remembered - friendless, unwanted - left to rot in prison. Then suddenly he found himself breathing free air, paroled to a stranger named Doc. Doc, power-fat middleman for boondogglers, wanted him. Lil, who brought bigshots with her flashing white body, wanted him. Hardesty, oil-slick lawyer with a killer’s brain, wanted him. Madeline, virginal secretary to an influence peddler, wanted him. Cosgrove had to know what they wanted. So he went looking for the answer, and he got it fast. They wanted him - dead.Pat Cosgrove was a convict in the state's vilest prison, and Doc Luther gave him his freedom. Cosgrove had never been loved, and Luther gave him two mistresses - one of them the beautiful Mrs. Luther. Cosgrove owed Luther his life . . . and now Luther was going to collect.

Thompson Jim AUTHOR BIOGRAPHY - James Myers Thompson (September 27, 1906 - April 7, 1977) was an American author and screenwriter, known for his pulp crime fiction. Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in The New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published in the Black Lizard series of re-discovered crime fiction. Thompson's writing culminated in a few of his best-regarded works: The Killer Inside Me, Savage Night, A Hell of a Woman and Pop. 1280. A number of Thompson's books became popular films, including The Getaway and The Grifters. The writer R.V. Cassill has suggested that of all pulp fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor even Horace McCoy, author of the bleak They Shoot Horses, Don't They?, ever ‘wrote a book within miles of Thompson'. Similarly, in the introduction to Now and on Earth, Stephen King says he most admires Thompson's work because ‘The guy was over the top. The guy was absolutely over the top. Big Jim didn't know the meaning of the word stop. There are three brave lets inherent in the forgoing: he let himself see everything, he let himself write it down, then he let himself publish it.' Thompson admired Fyodor Dostoyevsky and was nicknamed ‘Dimestore Dostoevsky' by writer Geoffrey O'Brien. Film director Stephen Frears, who directed an adaptation of Thompson's The Grifters as 1990's The Grifters, also identified elements of Greek tragedy in his themes.

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Weep Not, Child by James Ngugi. London. 1964. Heinemann. 154 pages. Jacket design by Brian Russell.

A novel of the early days of Kenya's independence and a look at resistance to the British colonialists through the eyes of Africans.

weep not child DESCRIPTION - Njoroge's only true brother was Mwangi who had died in the white man's big war in Burma, Boro, Kori, and Kamau were all sons of his father's eldest wife, but they all behaved as if they were of one mother and home was a particularly happy place. Above everything else, Njoroge, the youngest, wanted to get education and become like the eldest son of the rich farmer, Jacobo, who had finished all the learning in Kenya and would now go to England. His father, Ngotho, was employed by Mr. Howlands who had come from England to farm the land. Together the two men would go from place to place, examining a new shoot or pulling out a weed, Ngotho felt responsible for the land because he owed it to the dead, the living and the unborn of his line to guard over it until the prophecy came true; Mr. Howlands walked through the shamba with a sense of victory because he had tamed this unoccupied wilderness. At school, Njoroge was good at reading. Education was the key to the future: when Jomo was arrested and a state of emergency declared, it made very little difference at first--everyone knew that Jomo would win, But, one day, Ngotho was arrested and tortured, Boro left to join the freedom fighters in the forest, Jacobo was killed and Mwihaki, his daughter, would not see Njoroge, Gradually all the family was drawn into the struggle and the war became a day-to-day tragedy. This first novel by a young Kikuyu is a moving study of the fight for freedom and the rich red earth of Kenya.

Ngugi wa Thiongo Ngũgĩ wa Thiong'o (born James Ngugi; 5 January 1938 – 28 May 2025) was a Kenyan author and academic, who has been described as East Africa's leading novelist and an important figure in modern African literature. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal, Mutiiri. In 1977, Ngugi embarked upon a novel form of theater in his native Kenya which sought to liberate the theatrical process from what he held to be ‘the general bourgeois education system', by encouraging spontaneity and audience participation in the performances. Ngugi's project sought to ‘demystify' the theatrical process, and to avoid the ‘process of alienation [which] produces a gallery of active stars and an undifferentiated mass of grateful admirers' which, according to Ngugi, encourages passivity in ‘ordinary people'. Although Ngaahika Ndeenda was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening. Ngugi was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya. In the United States, he taught at Yale University for some years, and has since also taught at New York University, with a dual professorship in Comparative Literature and Performance Studies, and the University of California, Irvine. Ngugi has frequently been regarded as a likely candidate for the Nobel Prize in Literature. His son is the author Mukoma wa Ngugi. Ngugi was born in Kamiriithu, near Limuru in Kiambu district, Kenya, of Kikuyu descent, and baptised James Ngugi. His family was caught up in the Mau Mau War; his half brother Mwangi was actively involved in the Kenya Land and Freedom Army, and his mother was tortured at Kamriithu homeguard post. He received a B.A. in English from Makerere University College in Kampala, Uganda, in 1963; during his education, a play of his, THE BLACK HERMIT, was produced in Kampala in 1962. He published his first novel, WEEP NOT, CHILD, in 1964, which he wrote while attending the University of Leeds in England. It was the first novel in English to be published by an East African. His second novel, THE RIVER BETWEEN (1965), has as its background the Mau Mau rebellion, and described an unhappy romance between Christians and non-Christians. THE RIVER BETWEEN is currently on Kenya's national secondary school syllabus. His novel A Grain of Wheat (1967) marked his embrace of Fanonist Marxism. He subsequently renounced English, Christianity, and the name James Ngugi as colonialist; he changed his name back to Ngugi wa Thiong'o, and began to write in his native Gikuyu and Swahili. The uncensored political message of his 1977 play Ngaahika Ndeenda (I WILL MARRY WHEN I WANT) provoked then Vice President Daniel arap Moi to order his arrest. While detained in the Kamiti Maximum Security Prison, he wrote the first modern novel in Gikuyu, Caitaani mutharaba-Ini (DEVIL ON THE CROSS), on prison-issued toilet paper. After his release, he was not reinstated to his job as professor at Nairobi University, and his family was harassed. Due to his writing about the injustices of the dictatorial government at the time, Ngugi and his family were forced to live in exile. Only after Arap Moi was voted out of office, 22 years later, was it safe for them to return. His later works include Detained, his prison diary (1981), DECOLONISING THE MIND: THE POLITICS OF LANGUAGE IN AFRICAN LITERATURE (1986), an essay arguing for African writers' expression in their native languages, rather than European languages, in order to renounce lingering colonial ties and to build an authentic African literature, and MATIGARI (1987), one of his most famous works, a satire based on a Gikuyu folktale. In 1992 he became a professor of Comparative Literature and Performance Studies at New York University, where he held the Erich Maria Remarque Chair. He was a Distinguished Professor of English and Comparative Literature as well as the Director of the International Center for Writing and Translation at the University of California, Irvine. On August 8, 2004, Ngugi returned to Kenya as part of a month-long tour of East Africa. On August 11, robbers broke into his apartment: they assaulted both the Professor and his wife, and stole money and a computer. Since then, Ngugi returned to America, and in the summer 2006 the American publishing firm Random House published his first new novel in nearly two decades, WIZARD OF THE CROW, translated to English from Gikuyu by the author. On November 10, 2006, while in San Francisco at Hotel Vitale at the Embarcadero, Ngugi was harassed and ordered to leave the hotel by an employee. The event led to a public outcry and angered the Kenyan community in the San Francisco Bay area and abroad, prompting an apology by the hotel.

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The Labyrinth by Jens Baggesen. New York. 2025. Oxford University Press. 9780192898517. Oxford World's Classics. 1 black-and-white map. Translated by Jesper Gulddal. Edited by Henrik Blicher. 512 pages. paperback.

9780192898517 DESCRIPTION - Jens Baggesen's The Labyrinth (1792-93) is a genre-bending and highly personal travel book that follows the young Danish author's journey, made in 1789, from Copenhagen through Germany to the Swiss border at Basel. In its outer form, it follows the conventions of travel writing: describing the cities, landscapes, and notable people encountered on the route, while also offering critical commentary on art, architecture, theatre, and literature, mixed with reactions to the unfolding French Revolution. However, Baggesen finds contemporary travel writing to be pedantic and dry and is determined to make his own account as engaging and personal as possible. Based on the principle that 'nothing is more necessary in a volume of travels than a traveller', the narrative eschews a focus on prescribed sights and instead foregrounds his individual responses to the places and people he encounters. Baggesen's account of his journey is not simply sentimental, but rather moves through an array of different, often conflicting affective and intellectual register: from dejection to wit, whimsy, and ebullient joy, including enchanted observations of nature as well as cosmopolitan reveries about the brotherhood of nations. Similarly, the prose style of the book---always acknowledged as a key feature--is determinedly eclectic. A richly varied compendium of literary styles, attitudes, and philosophical ideas, brought to life in a new English translation by Jesper Gulddal, The Labyrinth offers a rare glimpse into the mind of an endlessly thinking, feeling, and imagining traveller at a pivotal moment in European history.

Baggesen Jens AUTHOR BIOGRAPHY - Jens Immanuel Baggesen (15 February 1764 – 3 October 1826) was a major Danish poet, librettist, critic, and comic writer. "Baggesen's Oak" (Baggesens Eg) at Christianssæde manor on Lolland in Denmark, which inspired the poet's Landforvandlingen. Baggesen was born at Korsør on the Danish island of Zealand on February 15, 1764. His parents were very poor, and he was sent to copy documents at the office of the clerk of Hornsherred District before he was twelve. He was a melancholy, feeble child, and he attempted suicide more than once. By dint of indomitable perseverance, he managed to gain an education; in 1782, he entered the University of Copenhagen. His first work—a verse Comical Tales broadly similar to the later Broad Grins of Colman the Younger—took the capital by storm and the struggling poet found himself a popular favorite at age 21. He left Denmark in a rage and spent the next years in Germany, France, and Switzerland. In 1790, he married at Bern and began to write in German. He published his next poem Alpenlied ("Alpine Song") in that language, but brought the Danish Labyrinten ("Labyrinth") as a peace offering upon his return to Denmark in the winter. It was received with unbounded homage. Over the next twenty years, he published volumes alternately in Danish and German and wandered across northern Europe before settling principally in Paris. His most important German work during this period was the 1803 idyllic hexameter epic called Parthenais. Upon his 1806 visit to Copenhagen, he found the young Oehlenschläger hailed as the great poet of the day and his own popularity on the wane. He then stayed, engaging in one abusive literary feud after another, most with the underlying issue that Baggesen was determined not to allow Oehlenschläger to be considered a greater poet than himself. He finally left for Paris in 1820, where he lost his second wife and youngest child in 1822. Suffering a period of imprisonment for his debts, he fell at last into a hopeless melancholy madness. Having slightly recovered, he determined to see Denmark once more, but died en route at the Freemasons' hospital in Hamburg on October 3, 1826. He was buried at Kiel.

Jesper Gulddal is Professor of Literary Studies at the University of Newcastle, Australia. Holding a PhD in Comparative Literature from the University of Copenhagen, he has published books, edited collections, and journal articles on European literature of the eighteenth and nineteenth centuries, focusing particularly on intercultural perceptions and questions of mobility and movement control. Most recently, he has helped develop a new global approach to crime fiction. He is also an experienced translator between Danish, German, and English. Henrik Blicher is Associate Professor in the Department of Nordic Studies and Linguistics, University of Copenhagen. A literary historian specialising in Danish literature 1600-1900, his work focuses particularly on textual scholarship and editing. In addition to edited books and numerous journal articles, his publications include an acclaimed Danish edition of Jens Baggesen's The Labyrinth. He is also the editor of the complete works of Danish Romantic poet A.W. Schack von Staffeldt.

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The Collected Stories of Ray Bradbury - A Critical Edition: Volume 1, 1938–1943 by Ray Bradbury. Kent. 2011. Kent State University Press. 9781606350713. Edited by William F. Touponce and Jonathan R. Eller. 6. x 9¼. illustration, appendixes, annotations, textual record. 498 pages. hardcover.

9781606350713 DESCRIPTION - In the past, collections of Bradbury's works have juxtaposed stories with no indication as to the different time periods in which they were written. Even the mid- and late-career collections that Bradbury himself compiled contained stories that were written much earlier--a situation that has given rise to misconceptions about the origins of the stories themselves. In this new edition, editors William F. Touponce and Jonathan R. Eller present for the first time the stories of Ray Bradbury in the order in which they were written. Moreover, they use texts that reflect Bradbury's earliest settled intention for each tale. By examining his relationships with his agent, editor, and publisher, Touponce and Eller's textual commentaries document the transformation of the stories--and Bradbury's creative understanding of genre fiction--from their original forms to the versions known and loved today. Volume 1 covers the years 1938 to 1943 and contains thirteen stories that have never appeared in a Bradbury collection. For those that were previously published, the original serial forms recovered in this volume differ in significant ways from the versions that Bradbury popularized over the ensuing years. By documenting the ways the stories evolved over time, Touponce and Eller unveil significant new information about Bradbury's development as a master of short fiction. Each volume in the proposed eight-volume edition includes a general introduction, chronology, summary of unpublished stories, textual commentary for each story, textual apparatus, and chronological catalog. The Collected Stories of Ray Bradbury is edited to the highest scholarly standards by the Center for Ray Bradbury Studies and bears the Modern Language Association's seal of approval for scholarly editions.

Bradbury Ray AUTHOR BIOGRAPHY - Ray Douglas Bradbury (August 22, 1920 - June 5, 2012) was an American fantasy, science fiction, horror and mystery fiction writer. Best known for his dystopian novel Fahrenheit 451 (1953) and for the science fiction and horror stories gathered together as The Martian Chronicles (1950) and The Illustrated Man (1951), Bradbury was one of the most celebrated 20th-century American writers. Many of Bradbury's works have been adapted into comic books, television shows and films.

General editor William F. Touponce is professor of English and adjunct professor of American studies at the Institute for American Thought at Indiana University-Purdue University, Indianapolis. He is the coauthor, with Jonathan R. Eller, of Ray Bradbury: The Life of Fiction (The Kent State University Press, 2004) and editor of The New Ray Bradbury Review, an annual review of the life and works of Ray Bradbury published by The Kent State University Press. Jonathan R. Eller is professor of English and senior textual editor for the Institute for American Thought. He is the cofounder of the Institute's Center for Ray Bradbury Studies and is textual editor for the Writings of Charles S. Peirce and the Works of Life George Santayana. He is also the coauthor, with William F. Touponce, of Ray Bradbury: The Life of Fiction. Since 2000, he has edited several archival volumes of Bradbury's fiction. Becoming Ray Bradbury, his extensive study of Bradbury's early career, is forthcoming.

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The Collected Stories of Ray Bradbury - A Critical Edition: Volume 2, 1943–1944 by Ray Bradbury. Kent. Kent State University Press. 9781606351956. Edited by Jonathan R. Eller. 6 x 9¼. illustrations, notes, biblio., index. 576 pages. hardcover.

9781606351956 DESCRIPTION - The original versions of an American master's best-known tales. Ray Bradbury spent decades refashioning many of his early pulp and mainstream magazine stories to form the intricate story-cycle tapestries of The Martian Chronicles and Dandelion Wine; other tales were revised or rewritten for such timeless collections as Dark Carnival, The Illustrated Man, The Golden Apples of the Sun, and The October Country. These volumes represent wonderful and enduring fictional masks for the author, but they are not his original masks. The Collected Stories of Ray Bradbury series returns to the earliest surviving forms of his oldest published tales, presenting many of them in versions not seen since the 1940s and early 1950s, when the Golden Age of the American magazine began to pass into history. The restoration of these texts is a scholarly enterprise, including searches through long-lost typescripts, hundreds of elusive magazine issues, and thousands of textual variants, seeking to restore the author's earliest intentions for his first published stories. Jonathan R. Eller's textual commentaries document the history of the composition and publication of the stories - and Bradbury's emerging understanding of genre fiction - from their original forms to the versions best known today. The second volume of the series includes twenty-five stories written between April 1943 and March 1944, and it contains eight stories that Bradbury never placed in his own story collections. These tales document an incredibly productive year that saw the twenty-three-year-old writer move ever closer to becoming a masterful teller of timeless stories. For many of them, the original serial forms recovered in this volume differ significantly from the versions Bradbury popularized in his subsequent collections. For three of these stories, the original typescripts survive, making it possible to establish the critical text directly from the author's unstyled spellings and punctuation. By documenting the way the stories evolved over time, Eller reveals crucial new information about Bradbury's maturing creativity and poetic prose style. The Collected Stories of Ray Bradbury is edited in compliance with the highest scholarly standards by the Center for Ray Bradbury Studies and bears the Modern Language Association's seal of approval for scholarly editions. Each volume includes a general introduction, biographical timeline, summary of unpublished stories, historical commentaries for each story, textual apparatus, and a chronological catalog.

Jonathan R. Eller is Chancellor’s Professor of English, director of the Center for Ray Bradbury Studies, and senior textual editor of the Institute for American Thought at Indiana University–Purdue University, Indianapolis. He coedited Volume 1 of The Collected Stories of Ray Bradbury with founding editor emeritus William F. Touponce, with whom he also coauthored Ray Bradbury: The Life of Fiction (The Kent State University Press, 2004). Eller is author of Becoming Ray Bradbury and Ray Bradbury Unbound (forthcoming), extensive studies of Bradbury’s early and middle career.

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The Collected Stories of Ray Bradbury - A Critical Edition: Volume 3, 1944–1945 by Ray Bradbury. Kent. 2017. Kent State University Press. 9781606353028. Edited by Jonathan R. Eller. 6. x 9¼. illustration, appendixes, annotations, textual record. 493 pages. hardcover.

9781606353028 DESCRIPTION - Though it highlights just one year of writing, this third volume of The Collected Stories of Ray Bradbury represents a crucial moment at the midpoint of his first full decade as a professional writer. The original versions of the 1940s stories recovered for The Collected Stories of Ray Bradbury, presented in the order in which they were written and first sent off to find life in the magazine market, suggest that Bradbury's masks didn't always appeal to his editors. The Volume 3 stories were all written between March 1944 and March 1945, and the surviving letters of this period reveal the private conflict raging between Bradbury's efforts to define a distinct style and creative vision at home in Los Angeles and the tyranny of genre requirements imposed by the distant pulp publishing world in New York. Most of the twenty-two stories composed during this pivotal year in his development reflect the impact of these creative pressures. This period also produced important markers in his maturing creativity with “The Miracles of Jamie,” “Invisible Boy,” and “Ylla,” which were among the first wave of Bradbury tales to reach the mainstream markets. The early versions of Bradbury's stories recovered for Volume 3, some emerging from his surviving typescripts and several that restore lost text preserved only in the rare Canadian serial versions, provide an unprecedented snapshot of his writing and his inspirations. Underlying this year of creativity was the expanding world of readings in modern and contemporary literature that would prove to be a crucial factor in his development as a master storyteller. The Collected Stories of Ray Bradbury is edited in compliance with the highest scholarly standards by the Center for Ray Bradbury Studies and bears the Modern Language Association's seal of approval for scholarly editions. Each volume includes a general introduction, biographical timeline, summary of unpublished stories, historical commentaries for each story, textual apparatus, and a chronological catalog.

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