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Roberto Arlt (1900–1942) was an Argentine writer. He was born Roberto Godofredo Christophersen Arlt in Buenos Aires on April 2, 1900. His parents were both immigrants: his father Karl Arlt was a Prussian from Posen (now Poznan in present-day Poland) and his mother was Ekatherine Iobstraibitzer, a native of Trieste and Italian speaking. German was the language commonly used at their home. His relationship with his father was stressful, as Karl Arlt was a very severe and austere man, by Arlt's own account. The memory of his oppressive father would appear in several of his writings. For example, Remo Erdosain (a character at least partially based on Arlt's own life) often recalls his abusive father and how little if any support he would give him. After being expelled from school at the age of eight, Arlt became an autodidact and worked at all sorts of different odd jobs before landing a job on at a local newspaper: as clerk at a bookstore, apprentice to a tinsmith, painter, mechanic, welder, manager in a brick factory, and dock worker. His first novel, El juguete rabioso (1926) (‘Mad Toy‘), was the semi-autobiographical story of Silvio, a dropout who goes through a series of adventures trying to be ‘somebody.’ Narrated by Silvio's older self, the novel reflects the energy and chaos of the early 20th century in Buenos Aires. The narrator's literary and sometimes poetic language contrasts sharply with the street-level slang of Mad Toy's many colorful characters. Arlt's second novel, the popular Los siete locos (The Seven Madmen) was rough, brutal, colloquial and surreal, a complete break from the polite, middle-class literature more typical of Argentine literature (as exemplified, perhaps, by the work of Jorge Luis Borges, however innovative his work was in other respects). Los lanzallamas (The Flame-Throwers) was the sequel, and these two novels together are thought by many to be his greatest work. What followed were a series of short stories and plays in which Arlt pursued his vision of bizarre, half-mad, alienated characters pursuing insane quests in a landscape of urban chaos. In 1932 he published El amor brujo. During his lifetime, however, Arlt was best known for his ‘Aguafuertes’ (‘Etchings’), the result of his contributions as a columnist - between 1928 and 1942 - to the Buenos Aires daily ‘El Mundo‘. Arlt used these columns to comment, in his characteristically forthright and unpretentious style, on the peculiarities, hypocrisies, strangeness and beauty of everyday life in Argentina's capital. These articles included occasional exposés of public institutions, such as the juvenile justice system (‘Escuela primaria de delincuencia’, 26–29 September 1932) or the Public Health System. Some of the ‘Aguafuertes’ were collected in two volumes under the titles Secretos femeninos. Aguafuertes inéditas and Tratado de delincuencia. Aguafuertes inéditas which were edited by Sergio Olguín and published by Ediciones 12 and Página/12 in 1996. Between March and May 1930, Arlt wrote a series of ‘Aguafuertes’ as a correspondent to ‘El Mundo’ in Rio de Janeiro. In 1935 he spent nearly a year writing as he traveled throughout Spain and North Africa, on the eve of the Spanish Civil War. At the time of his death, Arlt was hoping to be sent to the United States as a correspondent. Worn out and exhausted after a lifetime of hardships, he died from a stroke on July 26, 1942. His coffin was lowered from his apartment by an operated crane, an ironic end, considering his bizarre stories. Arlt has been massively influential on Latin American literature, including the 1960s ‘Boom’ generation of writers such as Gabriel García Márquez. Analogues in English literature are those who avoid literary 'respectability' by writing about the poor, the criminal and the mad: writers like William Burroughs, Iceberg Slim, and Irvine Welsh. Arlt, however, predated all of them. He is widely considered to be one of the founders of the modern Argentine novel; among those contemporary writers who claim to have been influenced by Arlt are Abelardo Castillo, Ricardo Piglia and César Aira. At least two Argentine movies were based on his novels, Los siete locos (1974) and El juguete rabioso (1985).

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Although Asha Lul Mohamud Yusuf has lived in exile in the UK for 20 years, she is fast emerging as one of the most outstanding Somali poets, as well as a powerful woman poet in a literary tradition still largely dominated by men. She is a master of the major Somali poetic forms, including the prestigious gabay, by which she presents compelling arguments with astonishing feats of alliteration. The key to her international popularity is in her spirit and message: her poems are classical in construction but they are unmistakeably contemporary, and they engage passionately with the themes of war and displacement which have touched the lives of an entire generation of Somalis.

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Nadifa Mohamed (born 1981) is a Somali-British novelist. She featured on Granta magazine's list "Best of Young British Novelists" in 2013, and in 2014 on the Africa39 list of writers aged under 40 with potential and talent to define future trends in African literature. Her 2021 novel, The Fortune Men, was shortlisted for the 2021 Booker Prize, making her the first British Somali novelist to get this honour. She has also written short stories, essays, memoirs and articles in outlets including The Guardian, and contributed poetry to the anthology New Daughters of Africa (edited by Margaret Busby, 2019). Mohamed was also a lecturer in Creative Writing in the Department of English at Royal Holloway, University of London until 2021. She became Distinguished Writer in Residence at New York University in Spring 2022. Mohamed was born in 1981 in Hargeisa, Somaliland. Her father was a sailor in the merchant navy and her mother was a local landlady. In 1986, she moved with her family to London for what was intended to be a temporary stay. However, the civil war broke out shortly afterwards in Somalia, so they remained in the UK. Mohamed later attended the St Hilda's College, Oxford, where she studied history and politics. In 2008, she visited Hargeisa for the first time in more than a decade. Mohamed resides in London.

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Professor Ama Ata Aidoo, nee Christina Ama Aidoo (born 23 March 1940, Saltpond) is a Ghanaian author, playwright and academic. Born in Saltpond in Ghana's Central Region, she grew up in a Fante royal household, the daughter of Nana Yaw Fama, chief of Abeadzi Kyiakor, and Maame Abasema. Aidoo was sent by her father to Wesley Girls' High School in Cape Coast from 1961 to 1964. The headmistress of Wesley Girls' bought her her first typewriter. After leaving high school, she enrolled at the University of Ghana in Legon and received her Bachelor of Arts in English as well as writing her first play, The Dilemma of a Ghost, in 1964. The play was published by Longman the following year, making Aidoo the first published African woman dramatist. She worked in the United States of America where she held a fellowship in creative writing at Stanford University. She also served as a research fellow at the Institute of African Studies, University of Ghana, and as a Lecturer in English at the University of Cape Coast, eventually rising there to the position of Professor. Aside from her literary career, Aidoo was appointed Minister of Education under the Provisional National Defence Council in 1982. She resigned after 18 months. She has also spent a great deal of time teaching and living abroad for months at a time. She has lived in America, Britain, Germany, and Zimbabwe. She is currently a Visiting Professor in the Africana Studies Department at Brown University. Aidoo's works of fiction particularly deal with the tension between Western and African world views. Her first novel, Our Sister Killjoy, was published in 1977 and remains one of her most popular works. Many of Aidoo's protagonists are women who defy the stereotypical women's roles of their time. Her novel Changes, won the 1992 Commonwealth Writers' Prize for Best Book (Africa). She is also an accomplished poet, and has written several children's books.

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Juliane Okot Bitek (born 1966), also known as Otoniya J. Okot Bitek, is a Kenyan-born Ugandan-raised diasporic writer and academic, who lives, studies and works in Kingston, Ontario, Canada. She is perhaps best-known for her poetry book 100 Days, a reflection on the 100-day 1994 Rwandan genocide, in which an estimated 800,000 Tutsi and Hutu people were killed. She has been a contributor to several anthologies, including in 2019 New Daughters of Africa: An International Anthology of Writing by Women of African Descent, edited by Margaret Busby. Otoniya Juliane Okot Bitek was born in Kenya in 1966 to Ugandan evacuees. Her father was the late Okot p'Bitek, an internationally recognized Acholi poet and scholar Growing up, Okot Bitek was an avid reader who was encouraged by her parents to write. The first time she had a poem of hers published, she was 11 years old. In 1990, she migrated from Uganda and settled on the unceded lands of the Musqueam, Squamish, and Tsleil Waututh peoples. She holds a Bachelor of Fine Arts degree in creative writing (1995), a Master of Arts degree in English from the University of British Columbia. 

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Isabel Allende (born 2 August 1942) is a Chilean writer. Allende, whose works sometimes contain aspects of the ‘magic realist‘ tradition, is famous for novels such as The House of the Spirits (La casa de los espíritus, 1982) and City of the Beasts (La ciudad de las bestias, 2002), which have been commercially successful. Allende has been called ‘the world's most widely read Spanish-language author'. In 2004, Allende was inducted into the American Academy of Arts and Letters, and in 2010, she received Chile's National Literature Prize. Allende's novels are often based upon her personal experience and pay homage to the lives of women, while weaving together elements of myth and realism. She has lectured and toured many American colleges to teach literature. Fluent in English as a second language, Allende was granted American citizenship in 2003, having lived in California with her American husband since 1989.

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Ana Enriqueta Terán (born 1918 in Valera) is a Venezuelan poet. She is one of the well known Venezuelan poets, especially because of her special use of words. Terán has written in several publications and all her works are compiled in Casa de hablas (1991). She won the National Prize for Literature in 1989.

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Rosario Castellanos (25 May 1925 - 7 August 1974) was a Mexican poet and author. Along with the other members of the Generation of 1950 (the poets who wrote following the Second World War, influenced by Cesar Vallejo and others), she was one of Mexico's most important literary voices in the last century. Throughout her life, she wrote eloquently about issues of cultural and gender oppression, and her work has influenced feminist theory and cultural studies. Though she died young, she opened the door of Mexican literature to women, and left a legacy that still resonates today.

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 Ngugi wa Thiong'o has taught at Amherst College, Yale University, and New York University. He is Distinguished Professor of English and Comparative Literature at the University of California, Irvine, and is director of the university's International Center for Writing and Translation. His books include PETALS OF BLOOD, for which he was imprisoned by the Kenyan government in 1977. He lives in Irvine, California.

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Nnedi Okorafor was born in the United States to two Igbo (Nigerian) immigrant parents. She holds a PhD in English and was a professor of creative writing at Chicago State University. She has been the winner of many awards for her short stories and young adult books, and won a World Fantasy Award for Who Fears Death. Nnedi's books are inspired by her Nigerian heritage and her many trips to Africa.

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 Yevgeny Ivanovich Zamyatin (January 20 (Julian) / February 1 (Gregorian), 1884 - March 10, 1937) was a Russian author of science fiction and political satire. He is most famous for his 1921 novel We, a story set in a dystopian future police state. Despite having been a prominent Old Bolshevik, Zamyatin was deeply disturbed by the policies pursued by the CPSU following the October Revolution. In 1921, We became the first work banned by the Soviet censorship board. Ultimately, Zamyatin arranged for We to be smuggled to the West for publication. The subsequent outrage this sparked within the Party and the Union of Soviet Writers led directly to Zamyatin's successful request for exile from his homeland. Due to his use of literature to criticize Soviet society, Zamyatin has been referred to as one of the first Soviet dissidents.

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Stanislaw Lem (12 September 1921 - 27 March 2006) was a Polish writer of science fiction, philosophy and satire. His books have been translated into 41 languages and have sold over 27 million copies. He is known as the author of the 1961 novel Solaris, which has been made into a feature film three times. In 1976 Theodore Sturgeon wrote that Lem was the most widely read science-fiction writer in the world. In 1996, he received the prestigious Polish award, the Order of the White Eagle. His works explore philosophical themes; speculation on technology, the nature of intelligence, the impossibility of mutual communication and understanding, despair about human limitations and humanity's place in the universe. They are sometimes presented as fiction, but others are in the form of essays or philosophical books. Translations of his works are difficult due to passages with elaborate word formation, alien or robotic poetry, and puns.

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Enrique Lucio Eugenio Gaspar y Rimbau (2 March 1842 in Madrid – 7 September 1902 in Oloron) was a Spanish diplomat and writer, who wrote many plays (zarzuelas), and one of the first novels involving time travel with a time machine, El anacronópete. Enrique Gaspar y Rimbau was born to parents who were well known actors. Upon the death of his father, Juan, he moved to Valencia with his mother and two siblings. He studied humanities and philosophy, though he never finished his studies, leaving to work in the commercial bank of the marqués of San Juan. He had already written his first zarzuela by the age of 13, and at 14 he was writer at the La Ilustración Valenciana. When he was 15 his mother put on a performance of his first comedy. He moved to Madrid when he was 21 to dedicate himself to writing. His peak years as a writer were 1868 to 1875, when he wrote operas for the consumption of the bourgeoisie rather than the aristocracy. During this time, he also wrote historical dramas, and he became a pioneer of social theatre in Spain. He had huge success for his comedies, but his real passion was social commentary, promoting the education of women and meaningful marriage. These plays were less successful because they were before their time. When he was 23, Gaspar y Rimbau married Enriqueta Batllés y Bertán de Lis, a beautiful aristocrat, to the displeasure of her parents. After the birth of their second child, he entered the diplomatic corps, at the age of 27. He spent time in Greece and France, then Madrid, and eventually served as consul in China, first in Macau, and then in Hong Kong. During this time, he continued to write and mount operas, in addition to writing for El Diario de Manila. Upon his return to Europe, he moved to Oloron, in the South of France, though his family lived in Barcelona, where he put on an opera in Catalan. Later, he lived in various locations in the south of France. His wife died in Marseille, where he was consul. In poor health himself, he retired to Oloron with his daughter, son-in-law, and grandchildren. He died there in 1902 at the age of 60.

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Honoré de Balzac (20 May 1799 – 18 August 1850) was a French novelist and playwright. His magnum opus was a sequence of short stories and novels collectively entitled La Comédie humaine, which presents a panorama of French life in the years after the 1815 fall of Napoleon. Due to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multifaceted characters, who are complex, morally ambiguous and fully human. His writing influenced many subsequent novelists such as Marcel Proust, Émile Zola, Charles Dickens, Edgar Allan Poe, Fyodor Dostoyevsky, Gustave Flaubert, Benito Pérez Galdós, Marie Corelli, Henry James, William Faulkner, Jack Kerouac, and Italo Calvino, and philosophers such as Friedrich Engels and Karl Marx. Many of Balzac's works have been made into or have inspired films, and they are a continuing source of inspiration for writers, filmmakers and critics. An enthusiastic reader and independent thinker as a child, Balzac had trouble adapting to the teaching style of his grammar school. His willful nature caused trouble throughout his life and frustrated his ambitions to succeed in the world of business. When he finished school, Balzac was an apprentice in a law office, but he turned his back on the study of law after wearying of its inhumanity and banal routine. Before and during his career as a writer, he attempted to be a publisher, printer, businessman, critic, and politician; he failed in all of these efforts. La Comédie humaine reflects his real-life difficulties, and includes scenes from his own experience. Balzac suffered from health problems throughout his life, possibly due to his intense writing schedule. His relationship with his family was often strained by financial and personal difficulties, and he ended several friendships over critical reviews. In 1850 he married Ewelina Hanska, his longtime love; he died five months later.

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Nora Keita Jemisin (born September 19, 1972) is an American science fiction and fantasy writer. Her fiction includes a wide range of themes, notably cultural conflict and oppression. Her debut novel, The Hundred Thousand Kingdoms, and the subsequent books in her Inheritance Trilogy received critical acclaim. She has won several awards for her work, including the Locus Award. Her Broken Earth series made her the first African American author to win the Hugo Award for Best Novel, as well as the first author to win in three consecutive years, and the first to win for all three novels in a trilogy. She won a fourth Hugo Award, for Best Novelette, in 2020 for Emergency Skin, and a fifth Hugo Award, for Best Graphic Story, in 2022 for Far Sector. Jemisin was a recipient of the MacArthur Fellows Program Genius Grant in 2020.

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Josef Nesvadba (19 June 1926 - 26 April 2005) was a Czech writer, best known in the English-speaking world for his science fiction short stories, many of which have appeared in English translation. Josef Nesvadba was born in Prague, Czechoslovakia on 19 June 1926. In 1950, he graduated with a degree in medicine, specializing in psychiatry. He was a pioneer of group psychotherapy in Czechoslovakia and was a professor of psychiatry at the Charles University. Nesvadba originally translated poetry from English and wrote several theatrical plays as a student in the late 1940s and early 1950s. Towards the end of the 1950s, he began writing science fiction short stories. Befitting his background, psychiatry was often a theme in his science fiction. His stories typically revolved around such issues as human weakness and divided personalities, with a tendency toward dark humor, irony and satire, as in "Vampires, Ltd.", in which a car runs on blood. In the 1970s, he began to move away from science fiction, which was likely inevitable, as his main interests diverged somewhat from Western views of the genre. From a commercial perspective, this did not work well. Some of his stories were made into movies, including Death of Tarzan, The Half-wit of Xeenemunde, Vampires, Ltd. and Tomorrow I'll Wake Up and Scald Myself with Tea. In the last of these, which he himself scripted, Hitler and issues of causality cropped up. He also worked on several TV and radio serials. Nesvadba's work directed satirical barbs at the communist government of Czechoslovakia, as he had little faith in the grandiose dreams of 20th century Communism. However, he agreed overall with Marxist analysis, a viewpoint he maintained even after the unraveling of Communist rule in Czechoslovakia. Nesvadba was registered as an agent of the Czechoslovak Communist secret police StB under the codename Autor. Josef Nesvadba was married to Libuše Nesvadbová. He died in Prague on 26 April 2005.

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